剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 全山菡 2小时前 :

    就是太熟套,狗故事太多。要不是查宁·塔图姆都不会看,以为首导会拍出新意,其实没有,杂乱无章,还有点无聊。5

  • 振祯 2小时前 :

    狗狗真的是人类最忠诚的伙伴了吧,每次都看到流泪

  • 婧美 0小时前 :

    钱老板当然依然帅气,剧情和整个桥段设计都有点老气和油腻

  • 惠问寒 0小时前 :

    一般,就很正常不过的公路套路片,男猪从狗狗自我救赎得到安慰!

  • 卫绵升 7小时前 :

    一星半。就不能说很无聊吧,但太白开水了。钱老板真的无论颜值还是身材还是那么能打。就这一人一狗的公路温情小品能拍的如此的无聊丝毫不感人我也是服气。

  • 仁芮欣 4小时前 :

    模仿军犬麦克斯,实在是太讨厌全片话多的男主了

  • 塞冬卉 0小时前 :

    -0- 能把军犬给走趴下。。这是走了多远啊

  • 卫泓辰 5小时前 :

    舞出我人生 Magic Mike 到dog又是一次好题材

  • 保正志 9小时前 :

    没什么剧情和冲突,平铺直叙但不难看。查宁·塔图姆依然很帅。

  • 岑寄柔 8小时前 :

    和所有的公路片一样,这是一趟发现自我与找到自我的旅程。没有惊喜也没有惊吓

  • 严谷云 7小时前 :

    公路片,不太喜欢,这哪是喜剧了,说实话有点看不下去。。。

  • 云漫 4小时前 :

    看过原版之后觉得这部有点吵了,符合美国人特质。

  • 卯慧颖 7小时前 :

    杰克·吉伦哈尔的独角戏,全看他在支撑电影。他接拍这样的电影,是为了拥有完全的空间,好去释放自己的所有能力吧。但是,这偏偏又让人更易察觉他戏路愈发缩窄,愈发单一的问题,好像怎么演都是那样,根本看不到进步,甚至产生了视觉疲累,因为他实在接了太多类似的戏种了,前几年看他接拍《破碎人生》就有这种感觉。怎么说呢,其实想演技突破,并不能走这种捷径,一个人把剧本全吃了,徒增无谓的饱腹感,正所谓独食难肥啊,而且到了最后,我们作为观众,看得还是电影质量如何吧,演员再厉害,终归难以决定整部作品的命运走向。所以说到底,电影的背后是“群戏”,只有一个人在那里狂努力,是很难大放光彩的。要是整部电影都在为你服务,那质量就显然更难保证了。

  • 云呈 7小时前 :

    1个半小时的电影,没咋地呢就演完了。 太喜欢露露了。时间过得好快。

  • 圭林楠 2小时前 :

    这张脸和演技居然让我看完了,希望可以成为国内演员教学片。

  • 承曼蔓 1小时前 :

    改毁了。本来孤寂讽刺的一个故事被男主的情绪障碍冲散了。核心应该是故事,从不是人,谁要看你救赎啊

  • 安安 8小时前 :

    狗最爱的剧都是我爱看的…哈哈哈哈 记得那首grey的歌叫,how to save a life 再烂梗也给我哭的电影

  • 卫来 1小时前 :

    撩妹教科书,如果没有狗,这片子可能会更好一点

  • 厍昊伟 4小时前 :

    实话说男主太不适合角色,没看出对狗的一点爱,也没表现出浪荡货的贱样,猛男形象这片子里不需要。

  • 冀?飞翰 2小时前 :

    看完我总是在想,如果我是女主,我能怎么办……

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