Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
用法式幽默和浪漫再现了隔离初期法国人的日常，让我想起了那段有点恐慌有点不安不过心理还算平静的去年春天。埃菲尔铁塔亮起的Merci，每晚八点阳台上的欢呼声和掌声，出门一趟全副武装，安静得看不到几辆车的马路…人类在面对流行性疾病的挑战时或许开始总是不知所措，但好在还有希望还有团结，还有爱。A l’humanité solidaire.
这是不是打央媒之前说网游是精神鸦片事件的脸？看人家吃鸡吃出抚养权吃出学区房吃出热血友情吃出人生巅峰。一看便知导演编剧都是资深吃鸡玩家服化道特效很专业戳中观众兴趣点。电竞这热门IP就应以普通玩家心理拍网大才能竞争过院线，话说用人家AC/DC齐柏林飞艇的名曲给没给人家版权费啊？
不玩类似游戏，不清楚是否AK和M4配音弄错，不清楚作战方式是否可行(尤其背靠背那一段)。
预期很低：网络电影出身，片名土，但是给了十足的惊喜和满足感。导演应该非常懂吃鸡游戏和游戏直播，不管是吃鸡梗还是直播梗都兼顾到了，全片最亮眼的桥段我认为是男主通过不断切载具、卡无敌时间一打多逆转的部分，导演在此处用了一个长镜头，不仅视觉效果惊人，也很好地展示了游戏特性。其次便是整段决赛最终局，先是用简单有效的方式塑造游戏内惊悚氛围，随后是一个相当不错的反转，之后便是场上和场外的策略对决，引起短暂的焦灼，最后在几位解说激昂接地气的解说词中开始平底锅对决，把气氛炒到了高潮，观众也爽到了高潮。更不用提其他小细节了。也是因为成本问题，游戏部分cos有点重但是拍得极为精彩，实景戏完全是在青岛街头拍摄，反而相当亲切接地气。不过文戏真的有点套路啊，工具人明显，整个故事立足点很虚，难以信服。再接再厉吧！
这部网大总体完成度非常高，将电竞的热血展现非常透彻，虽然还是老套路，但是观众吃这一套
现在那个男孩已经长大为男人，但是那种热血依然感动
法式浮夸版本的隔离众生相，相比政治正确式的严肃纪实，这个也还是太过戏谑了，虽然法国人也确实是这样的style
哈哈哈 好看呢。各式各样的人在隔离，插画师，律师，网红健身教练，歌手，酒吧老板，管理员老公，楼主，医生。我觉得教授在研制疫苗的片段很搞笑，还有楼主偷偷开车出去找老婆骗警察举报医生也很好笑。
与网飞作品的频频获奖不同，国内的网大几乎是“粗制滥造”的代名词。《硬汉枪神》放在网络大电影里确实突出，甚至不输于大部分院线电影。
因为过于一般没看完，也没有继续看下去的欲望……
有法式幽默，有荒诞，有温情，也有做作，但你永远可以相信dany boon哈哈。
其实很多事情都跟玩游戏一样，做成功了就名利双收，被人称为牛逼，失败了什么也不是，还会领个傻逼的称号。
有点意外，今年华语片的惊喜，剧本、镜头、节奏都可圈可点，没有自我介绍式旁白，没有尬聊尬笑，手表的设计、各种转场设计都很简洁高效。之前朋友推荐我以为只是利益相关没太重视，没想到人家还真是真心推荐。安全圈的设计源头是致敬《暗杀教室》吗？女主像一位老朋友。
我也玩游戏，百人斩被人说开挂也会烦，不过这片子还是和游戏电影有好～大～一截距离。首先是剧情，完全像是捡了个徐峥淘汰的本子，非得弄点什么离婚，中年危机，大叔逆袭，才觉得电影有深度～大哥，你知道你这反映的是电竞圈，（是选手不是玩家）的平均年龄不超过30岁，你觉得一个眼镜大叔带着几个乌合之众可以一路杀入决赛？你们自己开的私服在那装全球比拼吧～再说了，游戏战斗画面，你见过超过10个人的场面吗？真人倒地了在地上爬得也掉帧吗？你强行鸡汤励志也就罢了，又弄成私人恩怨算个什么玩意？玩游戏玩成真人PK？太没有职业精神了～
在封闭的状态下穿着防护服戴着N95看这部电影，会有共情也会有不同的感受，封闭、隔离真的带给了我们另一种不同的生活，邻里关系、家庭关系等等好像都变得更亲近了一点，也会让我们注意到一些平时总是忽视的东西，网络的作用在疫情爆发后显得更加突出…也许法国的疫情生活跟我们有很多差别，但是总归人们的情感都是有想通的地方，一栋居民楼里的人们也正映照着社会上不同人的千姿百态，也展现了隔离期间许多的生活细节，楼下科学家真的是很讽刺的一个人物设定，也是对社会某些现象的讽刺。但是，他们还是不戴口罩，前半部分还有对中国和亚洲人的额…最后的升华还是不错的，航拍也很漂亮，最后两个小孩在街上奔跑的镜头也太解压了吧！解封之后也要去街上跑一跑，呼吸一下久违的新鲜空气！
题材很取巧，看一看其他国家的人在疫情开始的时候是如何生活的，还是很有意思的。
真不愧是「丹尼·伯恩」,疫情题材也能拍出如此温情幽默的喜剧电影。原本陌生的街坊邻居因隔离在家逐渐熟悉有了邻里情谊。笑点挺多,如:上网课囧事、“-我们之间有太多性吸引力,可能会出事哦!-亲爱的,你身子滚烫。
剧情中规中矩，但制作用心程度确实已经超过大部分游戏改编的电影，作为真人版，本来期待值不高，但是让人比较意外惊喜，人物立的还算丰满，起承转合的过程还算顺畅，也拍出了一定的热血，作为一部网大，真的不能要求更多了，唯一遗憾的就是，居然是特么手机吃鸡，我要看电脑版绝地求生大逃杀steam版的。
剧本很弱，小孩的演技好过所有人！片头和美女队友的人设基本算照搬韩国电影《被操控的城市》。资本，只是一个在当下的媒体被炒烂的词，在这里词的背后并没看到什么意义，很空洞！没有任何买谁卖谁的逻辑，只是这样设定就推动剧情了！韩国版在暗喻方面的格局则要大很多！而且剧情跌宕起伏，扣人心弦！要看真正斗智斗勇，小队成员各自发挥所长，对抗城市/资本背后的力量，还是看韩国电影《被操控的城市》，虽然是四年前拍的，时至今日技术使用的观感仍不过时！
疫情隔离下的巴黎的众生相，题材新颖，故事依然包含了法国人特有的幽默油滑，而不失温情。在悲欢离合的背影下，叙说人间温情，印象最深刻的是两个小孩隔着窗户在月光下用手势阴影来表达彼此的爱慕，轻松幽默而又别开生面。让我们领教了不同文化背景下的隔离环境下的人间！
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