"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
翻牌韩国《走到尽头》，甚至还不如国版《破·局》，法国人拍动作片真的欠缺点东西，二十分钟弃 @Netflix
目前这个电影有三个国家拍过，原版和这一版都是本国的故事，只有中国版是马来西亚的故事，这说明咱们就是好面儿
不知所云啊看电影很少倍速但这部实在是无聊得不倍速就要睡着，但是画面很好看
每个人看着都有嫌疑，到最后才揭开真相，适合下饭
矫揉造作，没有一点营养，很痛心台湾投资人把钱砸在这堆乐色上
这个剧本就真的很瞎 正常人不能有这么蠢 Queen B下次能好好选剧本吗
瞎jb乱看的 一开始还蛮吸引人的 主要看是因为有blair哈哈哈 一开始就能看出来是老公和好朋友出轨了 那表情也太明显了lmao 后面没仔细看 就那样吧纯为blair看的 但她确实是age了不少..
台湾暗黑社会片已经泛滥了，这部节奏把控不行。
为了拍电影而拍电影，制作粗糙，代入感不强。好像老人带新人的赶脚。
《走到尽头》法国版，也是《走到尽头》的第二次翻拍，香港大陆合拍的是《破局》。
这个女人身边都是些什么人啊！最后能活下来，是人类史上一大奇迹！
看情节，就知道是小说改编。导演故布疑阵比较明显，给的伏笔镜头也明显。后来的进度条让观众得出了答案……
一个吃黑道的警察，遇上事情基本上一脸慌张，该说你是城府深呢还是城府浅呢。
比韩国原版《走投无路》差，比大陆翻拍《破局》好。节奏明快是特点。
Blurry line between drama and 一地鸡毛，防火防盗防闺蜜的梗太烂了啦/电影版总比啰啰嗦嗦拍个一季好/It’s just sad for a man to call the woman slut when rejected/司机小哥很nice,不加怀疑相信人的感觉还是省心又美妙的前提是you can afford all the outcome,good and bad.
我倒觉得最后的反转有点俗套 且会有一些BUG
亚洲人演不好情色片，尤其是热带鱼，油腻汗湿，味道混浊
所以说 警察是坏人 很多警察都是伪装成正义使者的坏人 坏透了 因为掌握了规则 因为拥有便利为所欲为 最终 坏人赚得盆满钵满 凸(艹皿艹 ) 这个剧是翻拍的 怪不得我觉得眼熟
现实中两个审美品味不在一个层次的，应该很难遇到；
这个电影最有意思的一句话是：“先生你不可以走正门，走后门我就不管你了。”
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