With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
难得一见的武侠剑戟片，武器和招式都很考究，打斗硬桥硬马，运镜及画面都很精良，看得出导演很用心。故事情节弱了一点。华语动作片已经式微，导演是在努力做一件吃力不讨好的事情。我觉得即使有很多缺陷还是应该给导演多一些掌声的，希望下一步片会更好。
虽说不是这类影片的受众，但是导演和创作团队的用心程度大大超出了网大水准。打斗戏的设计，兵器的设计，加上带有西部片风味的配乐颠覆了以往观众对网大的认知。
第一次见这种长刀战斗。
如果故事情节不行，起码武打动作设计要行，
故事完整 但是剧中人三观和我不太一样 至少在我知道被人出卖了的时候我一定会拿起刀先宰了他 一了百了 而且动作武打戏简单 真实👍🏻
他的妻子代表着平静美好生活，十年前被陆谦破坏不得不离开，十年后，并不接纳他。
致敬经典，小成本做出这种武侠质感实属不易，动作设计和人物造型都实属一流水平，可能美中不足就是因为成本问题不能拍摄大场面和更多复杂打斗调度，但是已经很不错了，变形款银幕镜头高度强化了类似香港电影黄金时代的塞外风沙之镇的质感
用逻辑讲不通，用理性讲不通，只能讲感情了，都讲得通了。感觉主人公像是击败一个个小赌场，最后跟boss决斗的是一场梭哈，到最后了还不放心，感觉是个骗局。其实一切都是那么的真实。
小人物的悲喜抉择，完成度不错，价值观有问题
很有诚意了，其实很用心的讲一个好故事，哪怕故事很简单，用心的去拍一部好电影，哪怕道具很简陋，电影的魂永远是一个好故事。
虽说不是这类影片的受众，但是导演和创作团队的用心程度大大超出了网大水准。打斗戏的设计，兵器的设计，加上带有西部片风味的配乐颠覆了以往观众对网大的认知。
很喜欢《东邪西毒》，但武侠其实在其中更多是背景主题。没想到导演拍了一部《东》那片沙漠里的江湖故事，仿佛《东邪西毒》外传，满足了我的想象。立足于极现实的江湖故事，夹带一点佛道思想，而打斗也是这些年中国武术圈复原的明代刀法，所以这就值得好评，毕竟导演还是做了功课的。反派杀手怎么看都是致敬《绣春刀》的丁修，但也只是勉强模仿。其实剧组的诚意和理念都能明白，不过可能也是刚起步，有些地方还可以更好。三星半的电影，打四星表示支持。
侠之大者，为国为民吗？只为一口饭而已，为国为民那是官
假使從政治正確的觀點來說，把白人換成黑人，在西部片裡大打出手、亂槍齊射...，並無不可；只是違和感重了些。
看了很多电影的风格在里面，如双旗镇刀客、东邪西毒等，有西部电影的风格！故事剧情一般，动作剪辑有模有样，算是一部整体还不错的个人风格电影。
有王家卫东邪西毒的感觉，动作设计和西部感营造都不错。但是很多情节还是差点厚重。主角的演技不够，少了韵味。
看的很难受啊，人物逻辑都很奇葩，没一个舒服的角色。最后是一个劝人别打架的主题？
被海报吸引然后看口碑还不错就看了，第一部正经看的网大。既然是网大太较真也没必要，动作戏还行，就是“大卫”这名字未免太出戏了吧。
总归是要有梦想的不是么
这句这特么棒，好多年没看到这么棒的写实刀剑打斗的武侠剧了。
Copyright © 2015-2023 All Rights Reserved
