The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
满足贪婪的欲望前要先保住命。
派派虽然男花瓶出身,红了以后也多半是商业上近年更是黄金期捞钱不断,但意外在谍战动作片里我get到了他的演技。。。。
生动地诠释了什么叫做“人为财死鸟为食亡”。
故事讲的不够完整,甚至有点啰嗦,但好在气氛做的够足,颇有当年《谍影重重》的味道。
看在Pine的面子上勉强给加一星,真的不太好看唉,节奏感掌握的不算太好。
不止5.8的成绩,拉一拉。在很多好莱坞故事里,美国政府才是最坏的那个政府,影射这次病毒就是美国政府给放出来的,还要对研究出疫苗的科学家斩草除根。
故事挺老套,但是单兵作战技能挺好看。美国佬还是那个屌德行,为了钱都能自相残杀。
剧情有点狗血,篇幅太短,细节处理的太粗糙了
动作枪战戏简洁有力度,很不错。可惜剧情也“简洁”得过分了,传统套路毫不修改直接用,连支线都没有。
挺精致质感的作品,虽然人物行为动机设计的很SB
树林和警察枪战以及男主在柏林街道逃跑这两处拍的相当给力,可惜结尾有点草率
这荒野的质感很棒,导致我中午做梦梦见自己挂在一扇大门上,被狂风吹的转了一圈又一圈。
整部片子不知所云,大概要把导演和编剧的意图讲清楚需要的是一部电视剧,至于人物动机,尤其最后的枪战,男二是自己找死吗?
小成本电影,虽然演员很好,但是人物平淡,剧情平庸,戏剧张力不足
人都这样了,杀个人还费劲又是埋又是烧?吃饱撑的?
中规中矩。退伍老兵无法养活全家,然后找承包商。被队友出卖,再反杀老板
看完了,太老套的剧情,哪怕用的这种滤镜和叙事风格。背叛了自己的得死,幡然回复的也得死,自己看着老婆孩子远去,露出一丝欣慰。故事老套,结局重复,实在太一般了。哪怕最后的镜头是从BOSS那里再搜刮一大笔钱呢,我也能多给一星。
螳螂捕蝉 黄雀在后,叫荒野求生更现实,只有三个演员,晒伤妆画的太虐心了。如果让我猜一下这个故事是在哪里发生的,我猜在中东的大沙漠。
在极端天气的情况下,竟然把身外之物看的比生命还重要,可悲又贪婪的人类啊
有没有可能那坨金子已经被无数的人发现了,但是它至始至终一直在那里。
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