Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
预判6.5分，标准爆米花，类型片实在是太多了，很难新颖。
我个人非常喜欢神海这个IP，最高难度通关4部曲➕一部外传了，也算是个小粉丝。
再来一部荷兰弟我可能会吐。
玩过1-4的老粉表示，虽然是改编电影，但我看的老开心了。荷兰弟情绪有时候尴尬，寻宝过程有时候挺蠢，但是感觉有努力尊重游戏。插科打诨的精髓有抓到，几个名场面有出现。虽然名场面被改编，但是改编的我还挺喜欢，尤其海盗船。Drake踩哪哪塌，去哪毁哪的精髓也还在。还有些粉丝向小福利：比如年少小演员找的还挺像。比如Nathan找到了装枪的背心一穿上，配上游戏音乐，老粉激动的差点站起来。
还不错，好看好看好看好看好看好看好看好看好看
剧情就很一般，但是荷兰弟竟然在造型几乎一样的情况下，可以完美塑造一个脱离Peter Parker形象的角色，有点惊喜。
我越来越喜欢荷兰弟(的 rou ti)了😂
情怀分，五星不知道为什么真给不下去，希望加油。
过程还不如我们的鬼灯和盗笔，以及整部电影我竟然最在意的是哥哥哪里去了。
仿佛又回到了好莱坞黄金年代，两个白人帅哥是主角，黑人女也可以当反派，ZZZQ都滚蛋，剧情虽然扯淡但好看啊！
过于爆米花了…8022年了这类电影能不能有点成长啊，当然荷兰弟还是挺帅的
寻宝过程我不止一次地想：要是我们的盗墓题材能好好拍一定会更精彩。
现在的动作片为什么都是一直靠文戏水过去。成龙的片子都比这好看多了。
太好笑了。。就，也太像游戏速通攻略了主要是。
感觉荷兰弟的戏路会被限制在“无法恋爱的鲜肉”上。连蜘蛛侠里的cp我都嗑不动
上一次看到这么难看的商业电影大概还是《富春山居图》，勉强算是个合格的爆米花电影，但内容实在是老套又无聊，每一步都精准踩在能被预判到的方向
就是非常俗套的那种探险片，你基本能猜到所有的剧情走向，人物都是为过关解谜服务的，可是整个探险旅程实在太顺拐，完全没有惊喜。7
合格爆米花电影，一路爽到底，就是动作设计不够～
He'd be proud.of you.
当然，我不怀疑它依然能让国内观众买账。毕竟成龙现在也不惜得拍这样的片子了。
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