With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
女主妥妥圣母狗！为了见到女儿不惜致数百万平民的生命于不顾，这种人该死！
前半部分悬念迭起，后半部分轻松预测盒饭顺序。毫无悬念
国产动画目前的情况是，制作水平参差不齐，少数顶尖的很棒，大批劣质的特差，不在一层阶梯。★☆/3.6
一开始为啥就让我想到俄乌战争的乌克兰，肆意杀戮，对待难民也非常无情，强迫征兵。
末日感，冷色调，反战主题。剧情有瑕疵，但是个人感觉分有点低。
因为劳米·拉佩斯才看的这部片，冰上追逐和对战挺有新意。
不想逻辑的话，还是挺好看的，剧情紧凑，没有尿点
这拖后腿的人设真让人无语，剧情很无语，啥都不会，靠跑得快成了大英雄，一点也不符合逻辑……，挺支持国产电影，但也不是这样讨钱的吧
剧情略显沉闷，最后女主的转变倒是相当突然…女儿没了就可以摧毁武器了？？？狗屁剧情
好喜欢末世毁灭题材，也好喜欢北极题材，这种在夜光下在广阔的冰面上孤独地滑行的场景简直太浪漫。故事讲得乱七八糟，快进没看完。配乐摄影灯光等技术细节不好，演员生硬，是部有创意的烂片。
7分，喜欢周星驰的观众，有一部分都成导演了！
所有角色设计都很矛盾，中尉尤其如此。出场就莫名其妙，冰上逃跑也很诡异，最后成了英雄已经救不了世界，还和给自己开黑枪的联手，你的原则哪去了？
放在平时倒算是一部简单的薯片剧，但是放在现在的俄乌冲突下就不免会带入角色，不禁去思考战争和冲突给我们带来的是什么。乌克兰和西方国家真的应该想想，用战争来遏制战争，这种先入为主的思想到底是对是错。特别是到现在，还有不少西方是要源源不断的运送武器，生怕这场冲突很快停止一样。
这也不算科幻吧 就是北欧自己的战争 也搞不清因为啥 不知道谁打谁 过程看着还可以 但是感觉没头没尾的
Make love，no war！ 电影有点乏味，一开始冰面枪战挺刺激，后来上高地就开始流水账了
22/365 人物智商都太低了 很讨厌熊孩子
女主只为见女儿，被骗千里运病毒，故事情节不吸引？电影超无聊！
这个溜冰送武器也不知道是怎么想到的 整个电影逻辑乱的一批
现代战争情景满吸引人，可惜后边慢慢就萎了。
还是挺感人的，小朋友看别模仿危险动作吧，为人处世上也许小虎墩能做个榜样
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