Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
4.劇本低智
好久之前看了个开头 打开奈飞又看到了这个顺势看完了 好莱坞典型的“无论你是谁你来自哪里你多大了你都可以做你想做的事情”鸡汤 以及全人物不知道怎么的就矛盾和解的结局 也是一种classic
死亡之后探寻真相，家庭，学校，朋友，颇有悬疑氛围，重新回到生活的轨道，换种角度去看待一切，珍惜拥有的所有，不错过每一个善待你的人。
就说尬不尬/Justin Hartley太适合这路子了/刚醒过来那段还蛮好笑的/20年后的孩子们都这么可爱的吗 Bri演员一看就是加州女孩2022.6.15
surfing camp里看的，女主口音瞬间梦回deadwood
谷阿莫，情节不吸引人，也许胖妹的表演还不错吧。
一睡二十年的点子不错，但是拍的太差了，太过空洞
下饭看完。超过35岁也能自信自由发光的人生真好
故事寓意还是挺好的，重新认识自己，为自己的过错、对他人的伤害道歉，可看
很喜欢拉拉队元素看了前20min青春洋溢 女主很眼熟想不起来 和之前看的差太多 我再找找美国甜心
很喜欢拉拉队元素看了前20min青春洋溢 女主很眼熟想不起来 和之前看的差太多 我再找找美国甜心
三分大片。我真的很喜欢看网飞的零脑细胞消耗青春片。一样的元素只是架在了2022的背景里，yeah no one likes a 雌竞片now，很开心看到以前不受欢迎的不敢出柜的女同当校长，每个人都能做自己的without magic 霍格沃茨学校。就算这种气氛是fake也是乌托邦了。
好棒的中年校园偶像剧！充满20年前后的冲突和变化……Digital和纸笔，昔日舞会皇后和网红，女生性感和中性造型Equality…女主瘦了，我也好想回到20年前的校园去回味一下
看這種美國校園喜劇看的很想哭是不是好事。唉呀。
心情不好的时候就应该看这种不需要动脑子并且知道最后一定冰释前嫌合家欢的电影。
下饭电影，Rebel是不是和网飞签了电影协议，最近几部这种美国青春高效电影里都有她。。。btw，真的是瘦了很多！
就喜欢看美国青春无脑电影 虽然后面的剧情突然就很怪 人物性格转变太快 但我还是很爱看
Crazy那一段出场才是爷青回的感受……感觉需要去把歌单更新一下……｜可能我也是一个活在37岁躯体里的高中生吧……
竟然能在2022年的网飞大电影里看见《独领风骚》的女主角。只有爱你的人说的才算。好喜欢queer弟的打扮。千禧年怀念风潮可以停一停了。
很欢快的音乐电影（bushi），威尔森比起偷心女盗里面真的瘦很多了，台词真的很drama，校园欢快题材真的永不过时，亚兹那个god真的会笑cry，抛开小细节算得上一部很成功的爆米花了（6.9/10）
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