James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
恶心粉丝是吧，打四分五分的怕是十来岁的屁娃子
MD，十年后还要刀我一次
不要离去 这是我最想说的。
还行吧，感觉中规中矩
第一部追更的假面骑士，情怀无价。给个圆满结局这么难么？不过假面骑士么，本来就是悲剧的战士。
综合：7.6
居然能原班人马回归，而且几乎一点都没变，永恒结婚鸟和诞骑新形态也很好看
我只想大喊救命，看晚空我TV又马上去看空我小说的痛苦又回来了
就是让益达叔和后藤新形态被暴打？
1星给特效 其他方面 真粉丝不可能买账的
剧情上没说清楚，就是目前最大的败笔，建议让东映多出一点短片补全，比如为什么王会复活，人造greeed怎么来的，为什么映司不用别的形态，还有为什么有两台OOO驱动器，不然真的很烦
整部剧场看下来只觉得仓促，里面的很多桥段都让我觉得牵强，看完没有调动我的感情，最好看的地方莫过于映安的演技，可惜这部十周年作品没有在剧情上给出让人满意的发挥，唉╯﹏╰最后还要整悲剧就让人接受不能了
原本还因为是be本能有点不喜欢这部恶心人的后传，结果看到了男主死的原因又感觉很合理，挣扎了这么久的ankh也终于复活了，可以说是一命换一命吧，女主十年过去依然是新十年最漂亮的，这部比起wizard那个恶心人的剧场版可是好太多了
三年前以为结局在平成final，结果是龙套
“我这一次终于抓住了。”
至少他终于结束了吧，这也许也是给映司一个最好的结局了。这一次终于抓住了那只手
怎么这样啊o(╥﹏╥)o
有毛病啊！！！怎么就非得死一个啊o(╥﹏╥)o
被剧透之后平静了几个月才敢看。只能说十周年售后把全员找回来整个BE我真的不理解。
毛利你自己主动参与的作品就写成这个✓⑧样子？对比小林阿姨可以说差了不止一点半点，剧情强行且刻意为了刀而刀大大小小的问题加起来构成了这部可以说是灾难的外传，hina的人设崩的稀碎，三人组相对表现最正常的就只有ankh，骑士棚和隔壁奥棚优秀的情怀作并不少，有这些可以借鉴学习的先例不去学反而非要搞自己那一套不讨喜的东西还写不好，真的是...令人无语
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