Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
尼森 皮尔斯 球花 这种配置本该完成度再好一些的啊 无功无过
看到一半就在翻导演拍过啥。。。。然后就没有然后了，这就是最可怕的一种经历。
区别于大叔之前几部廉价动作片，马丁坎贝尔的冷峻也还在，不过剧本太长太杂了，最后半小时尤其糟糕，片名记忆也没有很好展现，不过大叔和皮尔斯是能看的
但是表达的没有上者好
外来者拿不走澳大利亚的金子，最后金子留在了本地，政治寓言么？
叫掘金不如交守金，完全是人为作死，最后螳螂和蝉都有天收
老练加快准狠的范，连姆老爹客串杀手也不错，可惜英雄好汉也难敌时光流逝，英雄垂暮矣
看到一半就在翻导演拍过啥。。。。然后就没有然后了，这就是最可怕的一种经历。
太一般了，剧情无聊，没有大动作，甚至悬疑犯罪过程都直白到没有一点感觉
黑道想用白道的方式解决问题，然后白道用黑道的方式解决了问题？
真的当天晚上看的，第二天晚上豆瓣上标记时基本已经忘记剧情了，没有留下任何记忆。
尼森老爷子给足了男二三人组戏份，分工还挺默契。
叙事有些混乱，剧情也很杂乱，人物塑造也不大行，但是我爱看
中国有句古话：不是不报，时候未到！做恶多端的人，总是要得到报应的！
A colossal waste of time
评分有点低，感觉可以6分及格。Liam确实老了，这么大岁数动作戏已经很优秀了，何必和年轻时候比？而且重点难道不是在老特工患了老年痴呆吗。最后的结局还可以，只是中间的节奏有一点慢。
连姆尼尔森的动作还是那么的干脆利落，毫不拖泥带水，看的还挺带劲的，尼尔森也老了，越来越多这种英雄白头的无奈感的戏越来越多，有点唏嘘
Alex Hugo Vincent. 导演会取名系列。老套路爽片，阿尔兹海默症晚期杀手的绝唱。Justice has no use.
看完本片不知不觉就想到最近唐山打人那事了～只能庆幸幸好有视频爆出来～
连姆·尼森自飓风营救1之后开始狂拍类型片，结果一片更比一片烂。身手早已不再矫健，所谓的特工片，实际上已经接受不了他缓慢的动作。
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