You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
“A virtual reality world looks increasingly appealing，since ，in actual reality，the world is still trying to kill us。”—— Again，this is not a mockumentary。
HIMYM的mom出镜很像精神濒临崩溃的人，hhh
插科打诨的串讲一年里发生的大事，从特朗普下台到塔利班上台，似乎是奈飞开创的又一个新传统，不过今年的没有去年的好看。
没看这局之前，知道肯定有冲击国会事件，60分钟的时长，有差不多一半都是这个。这种嘲讽一年来一次也挺好，喜欢那个非洲口音的黑人医生。比较唐突的竟然有007这部不值得一提的烂剧。。
居然是定番，惊喜。两个感悟:1.病毒肆虐与极端气候真的不是地球在试图清除人类么？2.社交媒体发展十余年到现在一以贯之的就只有激起观看者的愤怒以增加参与度，多看无益。
没有了突如其来的冲击 仍然是日复一日的人类干人类 就连吐槽都显得没有新意
可能未来的每一年都值得这样吐槽了。ps：那个戴脚链要炸口罩场的姑娘真好笑啊
到了第二年，有些事情变得不好笑，有些事情变得笑不出来。我只希望这个不要真的变成年度定番……
如果说我们从2021中学到了什么，那就是我们从2020里什么都没学到
只能说这个OL服装还不错，遇到同样“性”趣的妹子也是运气好
很多镜头都在反复出现反复用，至于观点，我不关心别人怎么看、怎么说，你们反应过度了
去年刚出的时候感觉蛮新颖挺好玩，但今年在炒一次冷饭就明显觉得无聊了~
确实就是观察者网（美国）拍的，解构性基本就在即将马上无铲大联合的状态，不过从吐槽角度来看，它的另外面相也不会有那么强的效果，只是腔调让人厌恶而已。
这部并不好看的喜剧比我的2021年还有趣 sad
此时此刻当我看完这部电影的时候，不知为什么让我想起了2007年尾跨年之夜的那次中出……感受是一模一样的。
美國的2021。本質上同《不要抬頭》撞橋了。
21/12/31：伪纪录片形式点评一整年的时事，机灵得很啊。
我感觉还不够 应该不只是拍摄西方世界的 把全世界的人类一年内发生的重大事故讲一遍 之后发射到太空中 就像旅行者号一样 让外星文明看见 这样我们就可以确保不会被任何高等级的文明摧毁了 毕竟他们看见人类那么蠢 早晚会把自己作死为什么要花时间资源去攻占地球呢 可能攻到地球的时候 人类早就灭绝了
对比去年的《2021去死》，这部堪称狗尾续貂，风格保持一致，但辛辣味大减，也找不到多少笑点。也许因为这部更加美国本土化，也许因为中国越发和世界脱节罢，sigh~
和去年的一样还是很好笑的。不过还是希望2022没有素材来拍这个了。
Copyright © 2015-2023 All Rights Reserved
