Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
索尼克好像一个碎嘴脱口秀艺人，各种努力加梗。金凯瑞的表演虽然与当下已经有了些许距离，但还是有趣的。整体看，还是太少儿向。
小弟是来看达叔的，先五星为敬。刚打开在看片头，一定要续好经典啊。
上一部一句“他是我朋友”让索尼克满血复活，这一部一句“我也爱你们”让翡翠宝石给了索尼克力量，原来友情和亲情的力量才是最强大的，全宇宙都吃那一套。
个人认为比第一部要有意思点。
索尼克童年回忆啊……居然电影给的是英雄孩子的定位，自己是自己的英雄没错，学会照顾别人也没错……一部爆米花的合家欢，轻松的消遣我远足骑车后的盛夏。
只要金凯利还参演我就会去看！这没有什么可说的！前年第一部到今年第二部，时间跨度不大，但有点小退步！真人版的氛围与定调我很喜欢，其实挺温馨的，但第二部的说教意味和亲身示范感的老毛病又来了，其次呢！本片是一部非常好的商业示范片，因为它所展现出来的问题和缺点都太典型化了，大场戏之间连贯点有些薄弱，连贯感不强，有点各自为政互不相通，且都处理的很苍白，中后段婚礼太尴尬太无聊，都有点内地‘喜剧’闹剧的味道了，为了闹而闹套路感太强，有点太执着于把自己定性为爆米花的合家欢片子了，且包含索尼克在内的人物都有点低幼脸谱化，而且是我的错觉吗？麦登登这次怎么这次怎么有点不入戏呢？金凯利依旧牛逼没的说！不过他那有点同志感的石头助理小哥倒是挺抢镜的，感觉他跟金凯利搭戏挺受前辈照顾的，金动不动就帮他找画面，会继续追！
还可以，金凯利基本上就是大男主了，在喜剧领域，金凯利没有对手！
剧情一般，造境挺认真的，为了达叔看的电影🎬
4.都2022年了，反派到最后还非要搞一个那么又大又蠢的机甲，啊，真是……
希望第三部能够全方位地用心打磨，突破一直以来四平八稳的局面。
虽然很短，意外的不错，网大出品比某些院线电影还良心。首先3分给编剧，确实用心了，整体故事能够自圆其说；紫霞演员难得也出彩，更有一段达叔的告别特写，可惜至尊宝变身大圣的扮相比较出戏。特效作为网大级别尚可，很多场景和台词还原和致敬旧版大话和周星驰其他电影。结局意犹未尽，当年紫霞、至尊宝生离死别的意难平总算平复了一些，冲这点就值得观看！
最后还留了个彩蛋要拍3
很明显上部赚了，特效升级不少，情节有点低龄，作为娱乐片还是能看的~
“暗影计划”！！！
索尼克好像一个碎嘴脱口秀艺人，各种努力加梗。金凯瑞的表演虽然与当下已经有了些许距离，但还是有趣的。整体看，还是太少儿向。
合家欢。纳克鲁斯和塔尔斯都登场了，红黄蓝三色毛茸茸站一起对战蛋头博士巨大机器人的一幕还是很热血的，塔尔斯真的好有索尼克的CP感哦。金凯瑞真要息影吗？全剧还是穿插了许多时下的彩蛋，大红狗克里弗、冬兵、巨石强森vs范迪塞尔、捉鬼敢死队之类的……人类戏份再少点就好啦。
片尾索尼克升级开挂变身，让我想到了《龙珠Z》的超级赛亚人。大反派操控巨型机甲，让我想到了《环太平洋》。金凯瑞大反派腾空而起分解器械，让我想到了《X战警》中的万磁王。在神庙中探险的桥段让我想到了游戏《神庙逃亡》。
都2022年了，动画片还能这么难看？说教意义好大。
6.6分。由一只刺猬变成了三只，同上部电影一样，本作最大的表演亮点还是金·凯瑞（可惜结局蛋头博士去世了，撑着看完整部电影的角色没了……）。台词Cue了一堆流行元素，剧情依旧子供向，依旧顾头不顾尾和难以自圆其说。
1.上一部观看的电影是《西雅图斗争》，导致我看到《刺猬索尼克2》里出现字幕「SEATTLE 西雅图」为此巧合惊喜一下；2.“那个像大红狗克里弗一样的红色大怪物是谁啊？” 3.“就像《捉鬼敢死队》里的棉花糖人。” 4.“查宁·塔图姆在《舞出我人生》里演的也太容易了。” 5.“-听起来像猫头鹰和针鼹几个世纪以来他们一直在相互争斗。-就像范·迪塞尔和巨石强森。” 6.“哦，太好了。冬兵也来了。” ……
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