Sydney and Darrel met while working through the trenches of chaos of low budget independent filmmaking. Like most forced to produce under pressure, they grew close and began to admire and respect one another. However, their romance never quite had the opportunity to blossom and once the production was over, they went their respective ways and moved on with their lives. After 2 years of post production, when the film is celebrating its premiere, the two of them meet again. With spirits flying high and the cast and crew present to critique and admire the work they have done, Sydney and Darrel after a night of drinks hook up. In the last two years they've had their professional triumphs and failures, they've had their flings and various romances, but they've always kept each other in the back of their minds as that one that got away, the magical other. But...things are different now.
想想在一片汪洋里发生了灾难将会是多么无助，女主成功救回了爱人
没艺术
讲述艾玛和彼得认为自己正处在生命中最重要的时刻，有婚姻、孩子和郊区的房子，直到他们各自的伴侣把他们甩了。
结尾氧气罩有点刻意了，以及Emma在餐厅的那个绿色碎花裙哪能买
剧情挺狗血的……但是也挺搞笑的。。。两个人在一起，又或是分手原因是什么，也许有时候不需要原因，就是不合适了，仅此而已。恋爱中到底是要做自己，还是为了成为更好的自己？我觉得都不是，是为了更好的互相成全。里面推荐的一本书需要看一下
面对人与大自然的关系被打破平衡的时候
...
要我说男的咋都渣呢，男主就是活生生的例子，人家帮你把前女友追回来了二话不说就把女主给踢了，一副恶心的嘴脸。但是其实找到那个可以互相鼓励去追求自己梦想的人还是很少要珍惜
很无聊很俗套，很不喜欢这种分手了还搞破坏跟踪的戏码。
人类对自然的索取过度贪婪的后果就是不知道自然会以怎样的姿态来回报，至于最后的强行牺牲略显唐突了
宽容理解跟鼓励戏精是两回事吧？鼓励小孩戏精上身没有罪恶感么？
算是小成本的灾难片，视点放在海上油井，剧情上面马马虎虎，虽然关于海底塌陷的解释还是让人比较迷茫的。
没有非常震撼的场面和从人性出发的叙事，只有相对合理地家人救助，最后落脚在人与自然和谐生存，属于是典型灾难片的风格。
解说//女主角灾难片，海上的钻井平台因地质活动倒塌人员撤离，男主手动关闭阀门被留下，女主和同事前去救援。同事工具人，故事略套路。
一群老头老太身居权位尽下一些不专业的指令然后有伤亡了就只会面面相觑。
ps:特效还是可以的
2022.4.**钻井平台倒塌，女主救男主，搭上男助手性命
拯救了生命
北欧的灾难片关注的永远是人而不是大场面灾难镜头.
特效和氛围搞得不错 剧情完全就是女主一意孤行 高级版英雄主义罢了
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