With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
average，average，average，大概是打发时间也要带着嫌弃脸看完的程度
不得不说，女主太烦人了，我都想薅住她头发在方向盘猛砸五百次，纯粹为了恶而恶的胡诌片，低级趣味，下三滥粗口，屎尿屁里开心的打滚，恶臭至极。
如果没有后面彩蛋，可以三颗星。全片脏话，女主是我人生中所见过的最烂最烦人的女主，无所事事，到处搞破坏，嘴欠人恶心。有这样的朋友是八辈子血霉，直接绝交一拳让她怕你，要不就是生活中粘着不放的臭虫。反而垃圾还活下来，好烦……这辈子嗯即兴饶舌都在这一个来小时里听够了似的……反感至极！
还行吧，就怪物的造型眼前一亮。很多东西过多铺垫。
女主字面上的坏，这部片子充斥着重口味跟三观不正，最后女主演将所有人绕成歌唱的一遍，还挺创意的
1. 手机性能真好，整晚续航+防水；2.男主太圣母了吧，作为一个P碰到这种人恨不得第一时间把他们kick out of my life; 3. 女主很讨人厌，但是战斗力满分。
毫无逻辑，没有剧情，纯属为了恶搞而恶搞，傻逼女主真tm让人无语，之所以开车直播可能是因为她一下车就得死人，镜头晃得让人恶心
唯一的记忆点是it’s not a rainy day it’s a snowy day 圣诞节看还挺有氛围的 以及男二真的好帅呜呜呜 是个人会不选他吗哈哈哈
啥意思 只要不被幻境困住 怪物就拿你没办法是吗😂很遵守规则的怪物 结局还是蛮爽的
小成本自传式伪纪录片 女主直播她自美利坚远赴不列颠行程，观众从最初的40余人最高到超过3000人，可惜途中差不多三分之一处于掉线状态 最精彩的部分都没有直播出来（录了）。。。。另外，由于一路手机录制的缘故 不少镜头太晃 甚至断线。。。。例如女主如何多次躲过追击 如何制住怪物都没有交代，anyway 逻辑 故事 来龙去脉 甚至结局都不重要 。。。。呃 那还剩下什么呢。。。。ps 看完只有几个念头：一个事不关己 无所畏惧 事到临头 手足无措； 第二 大统领怎么又蹦跶出来了！？╮(￣▽￣"")╭
男朋友是个好人可惜来送人头，鬼怪的设置有点意思。
魔鬼只能对善良的人下手而已，特别针对信任的人进行剥削，黑人女&厂老板本质都跟魔鬼立场是一致的。
这节奏实在不敢恭维，有点太拖沓了，剧情设置的有点问题。我觉得怪比故事更吸引人。
女主的说唱不错，川普治下的美国这么民主自由了？
故事马马虎虎，捆疯女人那段太突兀了太粗糙了，最后怪物的那段太抖了，看了个寂寞，你拍的伪纪录片也不带这样啊。最后的即兴说唱太恶俗了，这女主是真的恶心。
【2.0】和《夺命连线》一样用力过猛。既然影片设定是一场疯批、低俗又叛逆的直播秀，类型片场景、气氛和桥段设计就完全不必做得so serious。导演最大的问题即在于他只会堆猛料，不会做取舍，连幽默感都在使着一股劲儿，生怕观众看不出来电影好玩在哪里。
三星半，女主前半段也太惨了……Cleveland怎么回事啦
更别说是九年的老姐妹
虽然前面节奏有点慢，但是电影内容，人设还是很丰满的。最后不可名状的怪物，造型很奇特，与之相比，鬼魂真的不算什么。我觉得女主的选择显而易见，她已经一无所有，所以最后她犹豫了。
献祭活人给古神，以获得祝福的回报。面对这样的诱惑，屠龙之人是否终成恶龙？
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