With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
3.5 开始看的有点瘆人，后面点评各种肉质很搞笑，再往后男主想退出有点拖拉，如果结尾不那么仓促就是满四星
有点子黑色幽默在里面，穿插动物世界那段挺有意思
哈哈，同样的吃人题材，角度要比《新鲜》的老套路好玩多了。
怎么让观众不憎恨主角呢，他可是在杀人，那是犯罪。
【6.0】Eat it in the raw.
太拖了。从第一个倒车压死素食者到第二个情敌用花瓶砸死，后面开枪追逐，渐渐少了内心矛盾。可这些也没看出来男女主关系是如何变化的。要是男女主CP感能更强一点就好了。后半部分要是加上破案的细节，也不会显得太突兀。素食女儿的情节完全可以删除。
余留巨大的空洞和悲伤 似乎可以理解茨威格最后为什么自杀了
7.1分。酣畅淋漓一气呵成的黑色幽默电影，许多笑点和很多镜头很是经典。法国版《人肉叉烧包》。
素食者和肉食者有什么区别吗？没有，他们一样虚伪！
创意不错，结尾略仓促，喜剧桥段还可以，废戏有点多！
最好忘记小说看 对于昨天看小说的我很难哈哈 改编挺大的导致有点难融入电影 男主演的真好演完电影会不会有什么心理创伤 其实也挺好看的 可能以后会再看一遍
十分推荐，作为电影来说拍得非常工整，没有一个镜头和细节是浪费的。
片名让我很想吃肉，但是希望小盆友们不要误导被，朊病毒了解下。节奏慢了点，结尾不喜欢，不然还能更高分！字幕组真的皮，还黄秋生，我丢！
反素食主义恐怖喜剧，很久没看过可以算得上清新的恐怖片了。
一年，唯一做的事就是看一本国际象棋的书，背棋谱，下国际象棋，然后就灵魂自由了。感觉书应该不电影好看，找找看
故事在多个维度空间内切换，精神层面的占据主导，棋局只是个引子，战争初期软拘和海上逃难，把命运设在那个动荡的年代，值得反思。
其实还可以，只不过有些小细节还需要打磨。你能想象到一个喜剧和惊悚混合体的故事么？就像片里提到的“伊朗猪肉”一样荒诞的一整个故事。
挺有意思的，就是看的过程中好奇男主作为职业屠夫，杀任何动物之后第一件事不是应该先放血嘛。。。
被结局毁了的无底线黑色喜剧恐怖片，其余的时间都很好笑
好久没看到这么有意思的电影了，立意和想象力的妙趣横生，连带着对社会议题的表达。极端素食主义的荒诞，中产阶级的庸俗与虚伪，夫妻婚姻的倦怠与刺激。非常喜欢片中对猎杀的喜剧化、夸张化的处理，满溢着一种轻盈而惊悚、幽默而残忍的童话质感。
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