麦教猛 高清

评分:
9.0 推荐

分类: 剧情片 2002

导演: 卡尔·西奥多·德莱叶

剧情介绍

  The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

评论:

  • 雪初 4小时前 :

    素人演员碰撞出不一样的火花,融入潮汕本地的风俗和文化,让本来简单的故事更添人情味。

  • 野曜文 6小时前 :

    不懂潮汕话的人是get不到里面方言的笑点,很多土话现在的年轻人很难听到了。

  • 有觅丹 8小时前 :

    作为配角的母亲是本片的戏眼,几乎所有亮点、甚至可以说是能让人看得下去的戏都在母亲这一角色的身上。如此一来,主角的戏份则过于鸡肋。应当调整叙事视角与结构,让母亲成为第一主角,从她的角度去迎接儿子带给她的挑战、抵抗与接纳,这样一来故事反而能好看起来。作为一名年轻导演,在影片中融入了不少年轻元素,但是有些剪辑稍显突兀,大部分笑点十分刻意,还是太过于稚嫩。

  • 美云 1小时前 :

    后半段出乎意料地放在了妈妈的视角,处理得很好,不徐不漫,细腻温柔,表演也是“土”得恰到好处

  • 潭和暄 6小时前 :

    其实重点不在于年轻一代的情爱纠葛上,在于妈妈对传统观念的抽离(也是妈妈这个演员选的好撑起了整个情节)…而这个问题像是地域性又不是地域性的,这就会给人一种是在抹黑还是在写实的错乱感

  • 锐虹雨 8小时前 :

    真实又可爱。明明是很让人窒息的传统环境,拍出了清新幽默,分手吵架复合,都像是点缀生活的葡萄干

  • 茆春柔 0小时前 :

    小成本佳作。虽然表演略显生涩,但剧本完成度好,音乐好听,感情饱满却没有故意煽情。

  • 隆方方 0小时前 :

    小桓也看完了,我也是。

  • 袭熙柔 4小时前 :

    本来被前几年的潮汕电影弄得没有信心了,知道这部要上映,看了片名就觉得又是刷情怀的烂片。今晚偶然看了点片段后看了全片,意外地很不错,有诚意的片子。平时看片评分要求比较高,这片子,给五星了。

  • 顿丝微 8小时前 :

    最后一段杭州游不会真的拿手机拍的吧,补拍的团圆结局吗😂

  • 麻睿诚 1小时前 :

    看到片中间的时候,就在想千万不要是俗套的烂结局,一点也不现实。不过,也真有点害怕这片子有过于现实,还是会期待一个圆满的结局。

  • 萧秋蝶 3小时前 :

    妈妈毫无表演痕迹 太自然了 看完这片想去潮汕玩 最喜欢的一个镜头 男主在天台上看着妈妈帮弟弟换煤气罐 这日常的场景竟然这么动人

  • 梅彩 4小时前 :

    妈妈演得真好。有一个潮汕海边的空镜让我想起恋恋风尘最后那个云卷云舒的长镜头。

  • 梅锦 2小时前 :

    泽凯妈对“外省再婚女”珊珊的抵触,似乎是潮汕人浓烈的宗族与本地意识的集中外化。语言的阻塞,制造心灵的隔膜。城市对小镇的同化,外语对方言的遗忘,又现几分文化忧患。而其本质,无非是封闭与自洽的空间生态,在面向无法掌控世界的极端畏惧与不安全感。而最终的和解,多少沾上些“延续香火”的妥协。

  • 楠曦 9小时前 :

    就是听不懂,有种看韩剧的感觉。😂

  • 龙乐天 2小时前 :

    难得一见国内好的喜剧片,不知道为什么觉得有台湾电影的影子。最后两个人是怎么复合的,加一个十分钟的戏就更好了! “你妈是不是很没用”,虽然有了心理准备,还是被这句话戳到!

  • 祁培轩 5小时前 :

    幕后观戏,对前台。地炮。

  • 雨莲 9小时前 :

    结尾用手机拍摄的手法很新颖 还真是去了杭州 看到熟悉的西湖 哈哈哈 这不是我天天去散步的地方嘛

  • 栋寅 5小时前 :

    头一次在影院欣赏到如此具有潮汕地方特色的喜剧片,和导演上次的「爸,我一定行的」是同一风格的作品,特别接地气,对话也是很朴实自然。剧情倒是比较平常,但配已如此有特色的潮汕地方气息,别有一番滋味。从中选取的bgm也是恰到好处,非常用心了。总体来说,还是挺不错的,值得一看。

  • 芸菲 5小时前 :

    其实挺喜欢的 加一分鼓励!!

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