Set in an unspecified French village, the locals are shocked when a group of girls skinny dipping in the nearby lake (all very tastefully done I hasten to add) are killed by a group of zombiefied Nazi soldiers, that spring up out of the waters and drag them down to their demise.
A couple of detectives are brought in to try and solve the mysterious murders, only to end up as the zombies next victims. It turns out that during the war, the French resistance ambushed and killed a squad of German soldiers and dumped the bodies into the nearby lake, but failed to take notice of any of the local superstitions (never a wise move). Although, seeing as this film appears to be set in the early 80's, why it's taken so long for them to emerge and start killing people is a bit of a mystery, but there you go.
Not-with-standing, the villagers quickly organise a lynch mob to take down the zombie menace, only to end up being decimated by the undead soldiers, who's 'convincing' zombie make-up basically consists of green paint, which doesn't even cover the whole of the actors faces and keeps washing off in the lake.
There's also a bizarre sub plot about one of the zombies visiting his former daughter, who strangely still looks all of 12 despite the fact she should be in her 40's if she was born near the end of the war, but then since when did logic ever come into these films? Such as why do their uniforms still look almost new despite being underwater for 40 years, or how come the skinny dipping girls are only knee deep in the water when viewed from the lakeside, yet appear to be swimming in 12 feet of it from the underwater shots?
Bad acting, naff zombie make-up (the aforementioned green face paint), painfully obvious underwater shots filmed in a swimming pool, not to mention the plot inconsistencies bigger than the aforementioned lake itself. Low budget doesn't even begin to describe this film, which quite unbelievably was directed by respected Eurohorror director Jean Rollin, albeit under the pseudo name J A Laser.
That's not to say the film isn't without merit. I bust a gut laughing at the thoroughly ridiculous scenes of the zombies attacking the naked young girls, and the equally ridiculous slapstick battle with the angry villagers. Utterly hilarious, grab the six pack and the popcorn and have a blast!
这，名为爱与希望的故事
这，名为爱与希望的故事
好棒！不得不说 美国学生们的课外活动真挺丰富多彩的 不仅仅是那些派对 还有面对外地人那种包容 也是一大特色。奥登说自己没有这样的朋友 几个女生敞开了说话之后真心地拥抱一起很美好！奥登说要做不一样的自己 勇于踏出社交的一步和伊莱深夜探索这个小镇 热心参加各种派对 那种疯狂乐观劲儿也是很美好！伊莱没从好友的死缓过来 奥登刺激他之后他才把心里话说了 可以继续比赛 很美好！她的爸爸一开始看得人恼火 明明老婆带孩子搞得焦头烂额 不帮忙直接说和女儿出去吃饭我真他妈想给他一巴掌 还离家出走 你没被骂惨了算你好运 幸好最后也聊过了懂得分担家庭责任。最后两个人穿着礼服配万斯在镇上骑单车狂奔最美好了 人生啊 把心里的郁闷说出来了 把自己释放了 也就快乐了！
即便是多年的粉丝滤镜，也只能拦着让我少骂几句
太帅了呜呜呜 为啥没玩过游戏的就不配看 虽然就是说
四分！
Netflix的青春小甜水片真的已经到了各方面都无可厚非得炉火纯青的地步了
小太刀叠东出。。。只能情怀+1
嘛，简单来说，就是存在主义与虚无主义之间的对抗咯，但是人类是不能选择虚无主义的就是了
虽然不是很好看 但是给这么全的英灵出场加一星 很有剧场版该有的样子
很一般的剧情，因为有海有沙滩多了点加分项，男主挺帅，女主怎么说呢，就送给我一副苦情事多坏人的非好感面孔，说哭就哭，还是身边三女孩可爱。
虽然游戏就那么几页cg，纯粹文本的表现力都远远胜过电影。
剧本稳，打戏作画有几处亮点，音效震撼，作为电影动画的分镜演出仍有欠缺。人类在赶往更完美目标途中所诞生的过度执着追求，即为人类恶，也可谓被人类割舍的爱
看个爽就完事儿了，可是这部剧场版并不爽啊，除了给游戏粉丝升华一下战斗场景外，这个剧场版的战斗毫无特色，大概也就突显出了官方御主有钱让库里的英灵登场露个脸外没其他什么战斗画面了，剧情呢也只是在几个关键节点上还原了一下原作的重点，哎，要不是玩过游戏谁会看呢！
无语。。。做了个屁。。。这破剧场版感染力远不如ppt文字游戏，打游戏的时候哭崩了的几个点做得比白开水还平淡，就摆烂圈钱吧反正有人买账。我要是没有粉丝滤镜的话，就这，一星也不值
《致所有我曾爱过的男孩》结束之后，Netflix的制作模式就是把幕前幕后的团队全部拆开分散，然后大家依葫芦画瓢量产倾销更多…因此受益于这种内容的人，会很容易卷入更多这样的内容里【我“很不幸”地变成了其中之一（：】。惊喜在于它所刻画的盛夏光景以及这样的海滩小镇生活依然提供如当初《橘子郡男孩》或《恋爱时代》那般的心驰向往，并且原声带选择出色，在感受上舒服；而选择回避各种对抗与争吵，让角色间的各种相处都可以成熟并积极，也同样在近来愈发严肃（糟心）的“青春片”格外舒心。只可惜男女主角火花有限，关系推进十分死气沉沉；配不上如夏夜那般的炽热，也感受不到牵牵小手有个吻之外更多的张力。看看风景听听歌，也就足够。
时有微凉不是风……虽然是糖水电影，但是意外的挺清新的。那个合成乐的背景音乐贯穿始终，对于爸爸的刻画很美国中年男，还有女主长得像Madison Beer，这些点比较加分
即便是多年的粉丝滤镜，也只能拦着让我少骂几句
本来三星，加一星给玩过游戏终章之后的震撼。
“的确，所有事物都无法永恒，最后迎来的只有痛苦，
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