Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
很多笑点get不到，期待约翰塞纳的电视剧《和平使者》。
三棱爆翘！太好看了！应该属于限制级的！特别爽！各种燃爆！音乐也好！故事也棒！真他妈的好看！谁他妈的说黄鼬不会游泳，哈哈哈哈
总体风格像是昆汀+埃德加赖特；“no one likes showing-off, unless it’s fucking dope”，冲着cult片的路数拍放得很开，似乎又有点太放飞自我了，色彩搭配和音乐倒是有滚导自己的风格；总算get到自杀小队的内核，人物塑造应该是系列最佳，在紧凑的篇幅里把十八线角色塑造出来不容易，哈莉走出小丑的阴影真好；哈莉那一段长廊动作戏味儿太对了；如果每隔两年能听到“It's suicide.”“That’s kind of our thing”挺好的，可惜少校不在了
至少能看 涅槃专辑 最后致敬银翼杀手 我也曾仰望天空
像是把一集rm扩充成了长片，欢脱又想象力勃发。不过感觉小丑女并不属于这个解构系统，因为我们都知道她不会死。
6 r版银河护卫队。故事没了凯文费奇把关，比护卫队更扯淡。
#vue# 无论是借监控运动路线实施身体控制的政府 还是通过借众人之口使话语得以言说、入侵意识的海星 无一不是包裹着不同外壳的权力符号 于是散发着迷人个体魅力的X特遣队登场 用沸腾着血浆、迸射出器官的浪漫的“神圣暴力”推翻以立法护法维系的“神话暴力” 可惜操控鼠群取得胜利的桥段让之前还在及格线之上的文本全盘崩溃 这一设计要么是逻辑不自洽的表征 要么就是人类中心主义的傲慢作祟
只有我觉得拍得乱七八糟吗？主线明明是很简单的全员集结，但叙事和场景切换一言难尽，节奏很差啊。本来以为会是一部很风格化又朋克又幽默又cult的滚导电影，但时不时我就尴尬到了。看完只有哈莉solo的部分和最后跳到派大星（不是）眼珠子里的部分印象深刻。
真是少儿不宜，屎尿屁血浆横飞。
2.已经不是超级英雄片的时代了，剧情和人设都真的很无聊。唯一能让我坚持下去的就是和平使者的身材，so hot。
真正的疯批，真是自杀，之前觉得幼稚的服装居然完美融入进了滚导这股子炫酷复古气息中，最开心的是哈莉可算是摆脱了《猛禽小队》中令人生厌的形象，虽然人物塑造没有深挖，但依旧是片中最绚烂的一抹不可预料的疯狂色彩。（别废话，赶紧出雕像）
滚导似乎也无法拯救杂乱无章的DC宇宙，虽然萌系泡泡糖配色海星和史泰龙版鲨鱼都在惹人喜欢的可爱项上有加分，但滚导没能复制银河护卫队的酷劲到小队里来，粘贴到的只有父亲元素和叙事及字幕的小聪明
总体风格像是昆汀+埃德加赖特；“no one likes showing-off, unless it’s fucking dope”，冲着cult片的路数拍放得很开，似乎又有点太放飞自我了，色彩搭配和音乐倒是有滚导自己的风格；总算get到自杀小队的内核，人物塑造应该是系列最佳，在紧凑的篇幅里把十八线角色塑造出来不容易，哈莉走出小丑的阴影真好；哈莉那一段长廊动作戏味儿太对了；如果每隔两年能听到“It's suicide.”“That’s kind of our thing”挺好的，可惜少校不在了
好多年没有想要把里面的插曲全认真听一遍的电影了，电影也很任性得过瘾。
超级爽片，不得不说看得真的很嗨，尤其是后半段，密集的打斗还有无限的趣味，的确是难得，小丑女真的太赞了，性感又疯狂，太棒了。
高完成度高分爆米花电影，人物弧光完善且合理，再加上恰到好处的政治隐喻。哈莉QUEEN虽然和主线太脱节，但是疯批美人谁不爱呢？
「自杀小队之最美逆行者」。羡慕滚导这样的人，怪诞自我恰好和时代流行完美契合，个人的嗨点能准确带来大众的欢愉。
还不错 diversity at it's current best
没想到这么差，角色的特殊技能，台词，派大星的设定，卖萌的鲨鱼...try to搞笑但包袱却抖的很尴尬，既不搞笑又不美更谈不上任何结构性功能，只有打打杀杀 连爆米花电影都算不上，杀死国王后还非得给上价值也是够了，btw 哈莉的飞花特效也实在太廉价
8.0/10 分。初看，蓝光。挺逗比的，挺欢乐的，有点反类型。。。感觉还是挺有意思的。休闲娱乐之佳片。。。最后有两个彩蛋。。。
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