James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
时冈好惨啊，自己殚精竭虑呕心沥血想为人类解决的敌人被奥特曼一根手指就摁掉了，那么痛苦和不甘心，花三千万年就想成为奥特曼。结果没有人认他。渺小的人类到死也是人类，再怎么嘶喊着要成为光也不会是光。可你奥不是说所有人都可以成为光吗？大骗子
个人感觉十分不错，值得五星好评，建议新人入股时，先看特别篇，然后TV舍去开头和结局
虽然看完了tv，但还是觉得好尬。特摄部分以外除了高潮戏的表演都跟闹着玩似的。
以上。
真实世界美轮美奂但是让人望而却步，我会选择直面现实还是继续幻想，我还不知道。
与TV真是瞎眼可见的差距
每次看这种欧洲古典名著改编的电影总是嫌弃自己读书少没文化，看着这些虚无的内容时脑子里想的只有几个美男子会不会搞基。
看的时候我并不知道是名著改编只觉得异常反映现实，看完后一查才发现是巴尔扎克《人间喜剧》之一。原来太阳底下并无新鲜事，一样的出书不靠才华而靠你所在的圈层，一样的正炒反炒媒体收钱发稿，一样的小人物汲汲向上出卖灵魂顶上的看你依旧不过一个随时可丢弃的玩偶，人类真是几百年毫无长进。
挺好的 但是TV已经烂的要命 特别篇就算拍好了以后也只会记得TV
从核心出来就笑嘻嘻地说思迈路是吧，玩尬也不是这么玩的……
每个人都可以变成光，但孤身一人终究无法闪耀…
也算是给泽塔补一个剧场版吧…
挺一般 也就比新生代剧场版水平高一点点 槽点还是不少的 吹成新生代最佳真的就过了 是没看过艾克斯吗？
这个演技，同一批演员
应该不算剧场版，算是补充篇。
就是打戏有点那啥，但反正比TV强就是了。
想起来这下算是泽塔真成特空机z了，遥辉被夺舍后，泽塔还保留意识竟然不能强控人间体，真的是破坏了奥自古以来的设定，哈。
tv实在太烂以至于这样满是槽点的剧场版我都愿意给三星（
久弥直树你给爷好好学学，TV拍的什么东西？
我既是光，也是人类，这就是特利伽让我化身成人类的意义。
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