Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.
没有流量，好的编剧把不讨喜的角色也能延续出好看的故事!
神父和恶魔的较量就是比赛谁更会骂街，吧啦吧啦吧啦吧啦语速快嗓门大就赢了
一个本想成为首富的男人，最后成为首富的男人！峨眉zing！吉吉国王出息了！
比想象中的好看，剧本故事还是延续了电视剧的风格，原汁原味，还引用了经典片段，可以说是用心了。演员虽然不大咖，但演技不尬，个人觉得算是高标准的网络大电影了。
别于一般驱魔电影的设定，这部上帝与恶魔在人的介质里互相制约，双方都是审判方，因为新人驱魔师的一己失误，造成18年的拉锯与赎罪，强大的恶魔与其信徒大规模集结，集齐无辜孩童的性命资本，来要挟代表上帝一方的驱魔师，退却上帝之灵要全面攻占，整个故事其实不复杂，类型片的逆向思维，十字架的倒转寓言，因为成本甚小，斗法过程保守克制，倒是有几场附身戏特别有意思，比如活过来又狰狞的修女神像，还有扛着十字架走眼冒青光的耶稣，恶魔具象化的反向驱逐值得玩味，在交易达成后，邪与正的暗流涌动更是这部电影的不二看点，狮门影业小成本惊悚片，但处处可见创新精神与辩证思维的发散，比类型片贩卖恶心与无脑，更窥见其诚意和用心。★★★
龙门镖局里的八斗，加油实习生里的高温若寒。算是比较喜欢俩主演来的。
如果不看逻辑，还是可以一看的，总体来说和赘婿电视剧思路一样，演员演技都在线，具体的剧本瑕疵就没办法了
驱魔题材恐怖片，恶魔把神父绑起来倒拿着十字架反向驱魔的桥段和梵蒂冈已经沦落为恶魔大本营的“末法时代”设定挺有新意的。
反类型也是类型电影的二重性之一，况且它真的拍得很廉价
2021.8.20 义乌小商品都开啦，距离第二部还远吗？
反讽？这么简单的剧情拍得这么长也是难为导演，但是结局上帝离开才救了女人和孩子们也是真讽刺...
开头即神父淫欲，后半出现扛着十字架的异化耶稣、丧尸体恶魔，再到巴班及其众信徒反向驱神，视觉效果挺恶心，挺重口，概念也是真的邪典，幸亏结局是开放式，上帝不死，信仰仍存。
有种正剧的简略版，节奏更快所以没法让人有共情感。把原剧的梗搬到这里来反而有点尬，没有那种新鲜感吧，一味倡导女权也有点不是那个味道。
《赘婿》的外传电影，相对主线更偏戏剧向，虽然剧情略俗套不过还行。恶搞朱自清的背影我是没想到，乌启豪居然洗白了，而且毅乌小商品的名字明显跟宁毅有关系
高潮那场驱魔互怼戏，竟拍出一种谁大声谁就赢的幽默感，说什么已经不重要了，因为魔鬼不是傻子，但最后用一群孩子的命blackmail这种属于编不下去了吧，圣母和耶稣两种怪的设定有点新意
其实很多都是吉吉国王，却又无法承认平庸的自己
影片的整体创意是极妙的，最终的设定与《第一诫》、《净化之时》遥相呼应、异曲同工。其中驱魔/驱神、造圣桥段，对宗教、人性、信仰、阶级社会进行了惊悚的反思与讽刺。人间之上，贵族通行，阶级以下，皆是蝼蚁，敌在梵蒂冈。圣殿骑士团第21静态管理小队即将利刃出鞘......
一般 No, the evil ones will not inherit the kingdom of God. They will inherit the earth.
什么垃圾玩意儿，虽然看之前就没报什么希望，但是看上之后还是实在看不下去，1分不能再多了
龙门镖局里的八斗，加油实习生里的高温若寒。算是比较喜欢俩主演来的。
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