Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
开始还不知道是一镜到底的片子，。虽然枪战拉夸到动作戏配合长镜头，紧张感拉满。
真实性的反恐片，让我一度以为是记录片，少一星片尾稍微有点戏剧化了，如果把真实度调整到极致就是满分
打斗枪战都挺不错，全片一镜到底是亮点，真牛！一部合格的爆米花电影
真·一镜到底！而且还是动作片。尽管只有1个半小时的片长。但确实已经非常之厉害了！没有特效、没有替身，斯科特·阿金斯可能一招一式都是自己亲自上阵的。虽然只是演戏，但这种90分钟级别的动作戏一气呵成的拍完，必须得佩服一下编导演全体人员的专业能力、专业精神，以及堪比职业运动员的体能、体力！
视角独特，有身临其境的感觉，就是太他妈晕车了，貌似一镜到底的徒手格斗戏可圈可点，愣是没看出来Ryan……
【黑米影库】除了那一镜到底的手法让我看的眼睛疼，其它完成度都非常不错，无脑爽片不需要太多的逻辑和剧情！
鏡頭和剪接都很有風格，槍戰也不是瞎射一通。唯一讓人出戲的是敵人一直生是怎樣？不是就來一卡車而已嗎？
这个一镜到底所蕴含的信息量，感觉比《1917》还要大，一个半小时感觉拍出了两个小时的感觉场景变化相当丰富.很好奇是怎么拍出来的.片里头最有意思的地方是那些军事战术动作，包括射击都是使用单发的，很写实非常写实，打斗场景都是偏写实化那种，没有华丽的套招，结尾还以为老斯会...同样的,写实也带来一些观感上的诟病.但是还是值得一看的一部军事动作片.练巴西柔术的我,让我赞叹的是,这96分钟可是全程类似直播那样播放出来的,这一系列的打斗动作,还有各种战术动作,打斗,这海豹突击队特种部队的体力 真的是可以.牛逼.推荐军迷观看.
开头不错，铺垫到位，后面故事转折略显平淡。
又是宣传美军特种兵的，几个人杀了一堆恐怖分子，反正最后都是happy ending，剧情一般，动作尚可，除了对手弱智点以外，其他都在可控范围
恐怖分子跟简单人机一样，主角靠着呼吸回血撑住了。用命去顶这种房区攻坚战，我打游戏都知道道具开路或者打提前枪，用身法躲架枪，反派就像玩无限复活的团队战一样，复活点就在卡车上。。动作设计没得挑，招招要害，吊打国产，即使不用长镜头很多片段用分镜效果也很不错，导演有水准。
其实蛮不错，就是那辆卡车堪比游戏NPC出生点，下来了无数个恐怖分子
很像cod单人剧情模式，一镜到底的镜头展现确实是加分点。
瑞恩菲利普在这部剧里戏份不多，但是，贼帅！
一镜到底，虽然男主开挂打COD，但近期像这样质量的枪战片少之又少。不需要剧情，看的就是突突突释放上班的压力。
7.0
逻辑和漏洞也是够够的了，不过斯科特大哥作为男主且作为海豹单兵的实力还是可以的，前提不要想他的部署
电影后三分之一都是男主角个人秀，结尾草草了事，正如开局
正正好好合格。作为非假托背景的片子，动作设计比不上《伸冤人》系列。
嚯，“一镜到底”玩得挺花，看来哪怕是小成本剧本弱，创新一下效果也可以不错。
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