The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
就看个黄政民,摔下悬崖那段拍的不错,看起来真摔一样。
好烂,改编成这样真的好烂,特别是我又把原版看了一遍,更觉得这部烂了。莫名其妙的枪战、莫名其妙的打斗、莫名其妙的开挂。一个人的游戏,你当的是人质吗?你当的是超人。
又是炸酱面,他们咋这么喜欢吃
比原作更刺激,节奏掌握的也很好,但也更狗血……
一定不要把这个和真实事件对比,也不要和原版对比。因为这就是个简单的个人英雄主义电影。黄政民是绝对的主角,剧情也为此服务而做了不少改变。因此也逃不过情节的幼稚和愚蠢。
最后一幕看的我也想蓄胡了
黄政民还在《从邪恶中拯救我》中没缓过来吗?
一味地注重渲染血腥场面,警察和反派强行降智。。跟《解救吾先生》一对比过于拉垮。。
丁青那个狠劲儿真的是演出来的。咋不给李政宰打电话呢
我是真的没有认真看,也是因为真的不好看…纯韩式打斗戏,不知道和绑架有什么关系?
黄政民完全没有什么表演,所以是导演还是剧本的错。结尾的The Passenger亮了
为什么把枪当砖头使?
少有的韩国翻拍大陆的故事。节奏挺好的。还行。没啥意外和惊喜。
目的性过强,有一种情节推动只为了下一场打斗的即视感,不过还算合格商业片吧
🆘且看黄政民被绑架之后如何自救及救人,我懂翻拍要结合本土实际情况但是绑匪除了疯批没啥可挖掘的啊,不如找别人演被绑架,黄政民演绑匪,这样更好吧。但黄政民还是演的很好,最后是两分钟牛的要命,冲最后两分钟可以给两星。
故事情节很丰满,节奏也拿捏的到位。
热评“黄政民你居然背的出朴成雄手机号 真是bromance”笑拉了
2星,难看
绑架,内讧,被抓,除了看看表演,其他真的乏善可陈。
Copyright © 2015-2023 All Rights Reserved