With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
以及看了一场imax 2d，在此之前我并不知道世界上还有这种事情。
minion版you can't always get what you want好评！
学校假期和同事一起去看，电影很欢乐，很多情怀和彩蛋。电影院都是放假的小朋友，第一部卑鄙的我还是上初中时老师在班上放的，时过境迁，转眼间我也在教室放小黄人给学生看了。
时隔5年，能再看到小黄人们，我还能奢望什么呢？并且！为什么没有马！！！
太好看了！看得我全程哈哈大笑，没停下来过一分钟。没想到你是这样的Gru哈哈。最有意义的是我在旧金山看了首映，当金门大桥出现的那一瞬间还是非常兴奋的。SF有美国最早最大的华人社区，理所应当的也融入了中国元素。
一如既往的低幼卖萌，现场的小朋友笑的很欢乐
中国元素满满，小黄人又一次靠睁眼卖萌打败坏人的可爱作品
这个系列我一直挺喜欢的，这部吵吵闹闹，也挺棒
加入很多中国元素，那个女功夫打斗场面有意思，旧金山的景色很美，不过剧情还可以，画质不错，可爱一群小黄人
看下来轻松愉快，小黄人依旧可爱，中国元素融入的还挺有趣的，有中国人都会kongfu的刻板印象（bushi
粉丝向电影，作为小黄人的粉丝我还是挺喜欢的。不过对于中国文化的部分确实还是充满了刻板印象…
小盆友 和老爷爷从粉丝最后变成爷孙舔犊情深 温情暖心
小黄人还是那么可爱，这一部聚焦在了当格鲁还是个孩子时的故事。在故事里还夹杂了中国元素，十二生肖都出现了，甚至连片头曲都是中文的（发音标准到我不看字幕都能听懂歌词）。
AMC Southcenter 16 | 三番真美 唐人街还原度很高 飞机俯冲那段直接ptsd了 最近看的几部美式动画一部比一部无聊 再看我就是sb
没有什么剧情 但是就是很无脑搞笑 Ba ba ba ba ba ba ba Banana 片头曲还是邓紫棋唱的《Bang Bang》丨@ Pathé Breda, 23 Jun 2022
卖萌加搞笑，确实很有一套。只不过感觉电影当中很多的中国元素使得这部电影更适合在春节或者新年的时候观看。
怎么这么可爱😭😭😭😭😭😭
预期之内的可爱～依然是萌贱萌贱滴 最后的大战too easy没什么看头，最最可爱滴是mini小鸡小黄人救命啦泰可爱啦呜呜呜这么可以应该家家户户人手一只呜呜呜
全場爆笑，坐在前面的老伯尤其笑的歡，哈哈哈哈
20220723 六本木hills ` 哈哈哈哈 no 哈哈 笑死
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