The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
最大问题是这么个片子你居然能拍到2小时……男女主去参加婚礼基本可以完全去掉来着，对主线能有多大影响啊？别的基本就常规商业片一般套路和发挥吧，虽然实际上3D角色质感做的并不好，挺缺乏实感的，尤其拥抱的时候……
真不愧是游戏IP改编啊，全程故事流水账，金凯瑞你为什么要摆烂，多好的IP拍成如此，限龄6岁以上观看
又把中国给黑了，好像诈骗都来自于中国。剧情挺紧凑的，发生发展都挺说得通，骗子利用人性的弱点实施电信诈骗，让受害者不敢去报案，因为有的受害者的钱也是来路不明的。为什么骗子越来越多，我一直怀疑是小偷越来越少的原因。
特效可以
儿童节看从小就很喜欢的索尼克，开心！新来的角色双尾小狐狸tails也太可爱了吧！
这类电影的优势就是 编剧可以胡b写 看完就想玩游戏 剧情什么都不重要 反正也记不住
杂乱无章，老美的电影工业怎么因为疫情退化这么多
标准流水线作品，美式笑话里加了几条自黑，这一部金凯瑞的戏份少了，没发挥出来啊。
当然也有很多新鲜有趣的点，集中在金凯瑞身上，这叔损人真是有一套！
#通话惊魂#★★★，以电信诈骗案件为蓝本，节奏上比国产的《巨额来电》要更具观赏性，男主角卞约汉长发蓄须的形象还是蛮帅气的，但韩国人在片中把骗子呼叫中心设定在沈阳就不太友好。——九戒影评
说真的，现实中就是那些警察都无所作为，立案了就搁置在那，根本没有人调查，已经形成习惯了，统一的借口就是什么钱已经转到境外啊，讲什么会调查，然而呢，调查个屁！电影敢拍，你们敢看吗？2022-2-16 21:36:40
特效是各种制作的边角料凑出来的吧，去掉恶心人的几个黑种能多给一星
🎈上次在theatre看电影要追溯到三个月前的c’mon c’mon 看得好开心
金凯瑞的演技是夸张到了极致
con-运镜有点奇怪/pro-主角长得像冯德伦
融了那么多梗的电影 有点心疼金凯瑞 有点理解 星爷为什么不想再演戏了
不知道为什么第二集看着索尼克总感觉有些尴尬，特别是在西伯利亚跳舞那里。续集里面比较出彩的应该是飞天小狐狸和永不言弃的马屁精，但还是不得不说这片的灵魂是金凯瑞
1辣的根本看不了，2居然看完了。很喜欢暗影，期待暗影出场！！
本以为是个纯动画，偶然发现居然有金·凯瑞，这才意识到是个真人电影而不是配音，那就看个乐呵吧，结果却还是毫无看点，呵呵
【2022.05.06】偶然间发现有第二部就下载来看了，小时候就知道有这样的游戏，不过印象中并没有玩过，但是这几个卡通人物还是印象深刻的，电影的剧情是比较幼稚的，就当一卡通戏剧看，还是看得过去的，毕竟主角们都那么可爱！
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