Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
预：7.6。自评7.8。整体观影体验前面四分之三觉得有好多地方强情节，在细节上是经不起推敲的。但最后一趴一系列的反转把前面的问题又都给圆了回来，例如她男友怎么可能会自杀一点可能都没有（当然也不能有警方介入例如尸检是中毒啥的…，影片毕竟是偷窥主题）。之前觉得突兀的情节可能就没那么突兀了 先结果后原因。
『当你凝视深渊时，深渊也在凝视你』
很容易明白这个古典故事在当代的意义和指涉，但超现实元素的重要性又在一直消解这种感觉。
离谱，前半部分我一直以为女主喜欢的是茱莉亚😥
有点儿情色片感觉的悬疑片，看着挺有趣的，就是结局大可不必。
偷窥别人的生活，然后慢慢上瘾，慢慢陷进去，真讨厌这个女主
掀开黑暗章节的沉重一页，被压迫、伤害、监视与利用；“疯女人”不是结束，是“塞勒姆”之后的上演，更或许为“得州心跳”的前续，所以这是个跨越数个世代并始终回荡着声量的故事
(1:21:37开始正片)
最后一撇太抓马，前面的结构和推进性都很好。开篇的无聊随着女主的自然晃动消失了。
堪比登堂入室，立意独特，开篇轻巧，特别好看，很有登堂入室的感觉。
好奇害死猫的 警示 ！！！
镜头时刻告诉我们 我们看电影的人也是偷窥者，不要陷得太深
那瓶红酒万一没喝呢？男友那晚万一没回家呢？或者回家万一没有喝饮料呢？
创意明显借鉴希区柯克的《后窗》，最后10分钟有画蛇添足之嫌～
狗尾续貂 停在女主看到摄影展就好了 Seb的声音太难听 刘承羽好漂亮
前面一度弄得很巧合就为了连上后面生硬的反转，中间太潦草了，收尾可以，大家都是恶人大家都没有好下场
这是我看过的她导演的第二部电影了，比第一部成熟、克制，导演这条路，她走得不比演戏差，相反她对于女性与女性之间的心灵交流，做得越来越细致。无疑，她是我喜欢的导演。
这种悬疑惊悚反转片虽说跟西班牙的比功力还是略逊一丢丢，但已经很不错了
多久没看到这种电影了！去nm的政治正确！干 傻逼结尾扣一颗星😑
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