With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
带着孩子，大年初三去电影院看的，感觉蛮有意思的，等回头网上能看了，我打算再刷一遍，虎头虎脑的孩子，好可爱。。。杨大侠做鞋也有趣，哈哈哈。
（Ps.最后强制过年好尬哈哈哈哈哈哈…）
带小孩去看了，孩子非常喜欢。小虎墩太可爱啦。小虎墩义无反顾勇往直前的精神让人感动
虎头虎脑的虎墩十分可爱，完美契合虎年的气质，大人小孩看着都会很喜欢，跟今年的春节实在太搭了。
国产动漫这几年真的太争气！无论是立意，情怀，价值观都很赞
带虎头帽的孩子被追杀，怎么还一直带着虎头帽不摘下来？中等国漫，主角人设不讨喜，bgm也不讨喜。全片低幼向，比较适合孩子看。
如果索尼当初没有和漫威影业合作，而是坚持把《超凡蜘蛛侠3、4》《险恶六人组》拍出来，现在蜘蛛侠电影宇宙早就成型了。
欢欢乐乐，适合带孩子看，中国风武侠，也没有啥敏感的地方
这个片子在春节贺岁期间很适合带小朋友一起看啊，内容挺充实。画面也很精美
没有啥看点，该感人的没有很感人，反派也很快解决了。节奏比较慢，没有什么缓急轻重之分的感觉（？）只记得了《咻咻咻》和《拖后腿》
选材挺难得的，整体制作不错。但是不太喜欢镖局的另外两个人物的设定。
尤其是在面对重大挑战的时候，理想主义和现实主义同时发力才有可能获胜，但还要有胸怀去接受可能的结果，毕竟很多时候胜利背后还有运气的成分。
有点失望，浮于表面，没有挖掘出动画和贺岁片的内涵。
早上刚带娃看过小虎墩!特别好看，虎年第一天看到这样有爱的电影真是赞了^0^ 有感动!有捧腹大笑!超级推荐!
抓一只动物园里的猩猩来当导演，拍的都不会比这差。
作为国产动漫出现在虎年春节档期，小虎墩可爱形象给人眼前一亮，不怕困难的性格，为达到梦想一步一个脚印很好的给小朋友启发，值得带小朋友去看。
汗水流淌过皮肤偶然还可窥见跳动的血脉，
烂片出神曲szd，最好的part竟然是《虎啸春来》。。。。。
好无语啊，看了一半不想看了，小虎墩的角色塑造太有病了，他爸妈就是送镖死的 从小在镖局长大不知道送镖危险??开头一幕送花瓶不说了，送稀有的猪还那么莽撞不知道自己是个小孩吗??后来送镖就更不用说了更傻逼，真有病，可能是我本身讨厌小孩的原因，但是小虎墩这个角色我是真觉得恶心
能看到册也算是这三年没白等，双厨狂喜哈哈哈哈哈哈哈 汤甜依旧又懵又可爱
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