Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
算偷工减料之作，大部分是TV剧情采用访谈方式叙述。最后几分钟算把剧情升级了。我还是习惯主角是那只憨厚寡言的海狮真人就是增肥变老琦玉老师。希望编剧能延续这种都市小品风格编出第二季！
一分给lesbian情结，一分给Happy ending，最后一分给金发和黑发美女。
剧场版依旧使用了有趣的叙事诡计，小小的“调查”与广播剧巧妙地相互联系，让妙子的形象更加丰满了，无论是路人还是老观众看过之后都会感到快乐与满足；篇末对于TV剧集未交代完的内容也加以补足，让人同样心满意足。引起观众不满的地方可能是前期宣发采用了类似“完全新作”之类的说法吧，很是遗憾呐……
虽然料到是总篇集但没想到新内容这么少···几乎可以说你如果看过tv，只看剧场版的ed就够了···所有你想知道的内容只在edppt上···虽说我觉得去看的应该都是看过tv就想知道那点后续的，但他似乎做这个的目的是想让没看过的人也能看···可删减这块我真觉得很不行，老大没戏分就显得小户川狒狒大门之前咋认识的很突兀，虽说我估计真没看过tv去看的人也许真不在乎吧···
剧情老套无趣 ✨
？？什么东西，歪果仁的玛丽苏与我们如此不同？
设定好弱智，男主的大豪宅难道连一个能用的wifi也没有吗？半夜拿着电脑在女主家蹭网是不是有哪个大病？男主只有装逼没有苏，看了开头就劝退，这剧本是初中生写的吗？
看过剧集的话 剧场版只用看最后十分钟就行了
相当于把之前的暗线做了一个剧情串烧，说实话有点低于期待了。基本上80%都是重复的剧情，最想看到的如何避免被杀掉的画面却没有，好气！麻麻的及格了吧算是，希望有那块缺失剧情的解读。
比起说电影版更像是总集篇，新内容很少，但是作为单体看还是制作很好的
西班牙版五十度灰。尽管情节有些玛丽苏，但颜值还是值得一看
设定好弱智，男主的大豪宅难道连一个能用的wifi也没有吗？半夜拿着电脑在女主家蹭网是不是有哪个大病？男主只有装逼没有苏，看了开头就劝退，这剧本是初中生写的吗？
王思聪黑你电脑只为偷连你家wifi，王思聪带你去大连万达顶楼顶风吃晚饭，王思聪带你去家庭聚会并遭到了王健林的反对，王思聪说我恨你让我动感情。
《奇巧计程车》剧集版经过大量删改然后添加些许新内容重制而成的剧场版。
哈哈哈哈哈 欧美青春文学 这么俗套的剧情还是在拍！父母出轨导致富二代男孩不信爱，被隔壁“偷窥女孩”拯救。配置有afte那味儿。hothot。男主真的不像Justin Bieber吗！
这古早的剧情，连帅哥也拯救不了…还有女主的身材配不上她的脸…就快进
虽然一大堆 remaking，至少是个 happy ending
好无语，真的是狗尾续貂。我看最后十分钟就够了……
平民女和富家男的爱情故事总是能看一看的，男主的板寸真的很帅，但是故事性很差也是真的，我看完都没搞明白男主到死怎么爱上女主的。
那么舒服的色调拍这种色情勒。
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