This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.
Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.
One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
~再那啥的人也需要认同啊，就当逗乐片一看还是可以的。。。
居然很好看，简单明了。我们每一个人都知道这种电影的套路，坏人然后突然良心发现变成了好人，让好人其实是隐藏的坏人。 每一个都想要快乐的两个小时，稍微然后我们可以从繁重的工作中，从该死的疫情中，从无聊的日常中，超脱出来。好好的让大脑在简单的逻辑中享受两个小时，这其实也一种休息。有时候电影并不需要给我们思考，只要让我们微微一笑，然后心想：我就知道是这样，我就知道是那样。
开场超high的追车把观众直接深入其境地带入影片后，剧情的不断反转以及活力四射的ost也让人沉浸其中。虽然非好即坏的角色形象有点单一，但是在2022年上海居家这段时间真的很解压。
两星半。乏善可陈之作，情节、人物、世界观都是二十年前的东西，这到底有什么做出来的必要？装可爱都装不起来了，哎。p.s.看之前完全不知道演员表，但奥卡菲娜一张嘴我就知道是她，莫名就有点出戏，太有声音特质而无角色诠释大概就是这样吧。
开开心心欢乐合家欢，倒是觉得这会看分外治愈。
形式上致敬了好多电影开头低俗小说结尾末日狂花，剧作上反转挺多的也挺精彩的，合家欢很适合乐呵乐呵。但是总体上还是趋于一个中规中矩的水平，反转也是基于好与恶的刻板印象书写。
就..没带眼镜看了一场3D电影..有点奇怪但又有点奇妙。
（旁边小孩被谢霆锋的疯批吓哭了，谢霆锋这么帅，为什么要哭？分级吧。。）
不得不说，人物外表形象塑造的有些粗糙，感觉像在看中国动画片。剧情也是…看开始就知道小豚鼠是大boss ，最后的蛇蛇反转还是有的，感觉动画钱都花在狐狸上了，打戏真的不错。和疯狂动物城还是有差距的
嗑到了狗哥狐姐，以及全程在思考橘子酱烤荷兰猪是什么味道……
画风在细节上有点廉价的感觉，故事走低幼路线，套路满满正能量，尚可一看。
我每样都会亿点点
此电影让我明白自己的内心，原来我真他妈是福瑞控。
疫情之下，电影院真不容易。最大的一个厅，坐着寥寥的几个人。
竟然是今年第二部进电影院看的电影！可惜第一部是花束般的恋爱，所以差得太远……主题是刻板印象，内核很老套，反转也不如同类型的疯狂动物城，有点失望，但是狐狸和狼、狼和蛇的CP还不错。音乐不错。
没有特别出彩的角色，尽管联盟的坏蛋众多，又是典型的富豪人设黑化太好莱坞，没有太多惊喜。开头让狼崽子感受到帮助别人的快乐，用了摇尾巴其实挺有创意的。后续几个坏蛋也是通过摇尾巴来作为改变的呼应，很动物性，反而让人觉得这个角色活了。女市长又是一个隐藏的坏蛋，但是前面埋下的伏笔太少导致转折很生硬。至于结尾说真的，太平淡了（不知道是不是模仿《僵尸世界大战》，但是模仿的也不够彻底）。
回归到简单一点，善就是善恶就是恶，没有那么多救赎和反转的故事，也挺好。
THANK YOU FOR MAKING MY DAY！！！！首先death to 3d电影🪦美国动画到了今天已经进化到了最完美的画风，Diane和wolfie是我在tinder上看了张头图就会右划的hot ginger/Italian guy，西装市长老公简直是sana in disguise！！！蜘蛛姐的tail wagging more like TWERKING我好咸死好幸福好完美好接近天堂的一百分钟这就是媚福瑞控我要尖叫着说一百个愿意这部电影为电影院而生
前20分钟：“什么降智玩意儿”。看完：真香！
虽然剧情套路太简单，但一些女A男O真的很上头，怎么说狐尼克代餐的水准还是有的
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