IN SHANGHAIIn Shanghai Lou Ye, 2001short FilmIn Shanghai or the eyes of a Chinese director of his city, Shanghai, Communist economic center , but also megalopolis with many faces ...Lou Ye is a great filmmaker. After having the success that we know for the sublime Suzhou River, the young director of the sixth generation is coupled to the design of this short film about Shanghai, the city of his heart , beautiful and multicultural . Camera in hand ( for lovers is a Sony DSR- PD150 DVCam ... ) for subjective , Lou Ye rhyme begins this urban plan by a girl asleep on a bed. Slowly the camera moves out of the suburb where this unknown young woman is given the arms of Morpheus , better visit this city that is Shanghai. The narrator who is also the hero says in voice-over that he loves this megalopolis . It focuses on the residents of these neighborhoods without cloth and without resources where most of the native population of Shanghai Lodge . Indeed the streets Zongshan Donglu which contains the Bund, Pudong, the famous Oriental Pearl is not the stock market and everyone. We must go farther Jingan District to discover the social wealth of this city . Why attach immense cold and nervous architectures while the Shanghai Blood flows through the veins of its rural ? It's a little message Lou Ye through this short film ."You can guess who they are, but we can never really know "Lou Ye eradicates a rare cinematic power of this often precarious and old people waiting on the bus every morning to go to work and make the Chinese economy humming .The old streets of the city like the nearby temple Cheung Hong Bund to the bank of the Huangpu , the filmmaker does not recognize the city. As if all these steel towers of the 21st century had absorbed the social essence of the " Paris of the East" .Lou Ye then takes us on a visit to the arcades , discos, clubs, dances, flashy locations and disconnected from the reality of ordinary people in the middle of poverty which is near workers and street vendors where people drown their defecation in water by putting the edge of an old tub ... This is a new look for the Western .Finally, after making stops in a dangerous Shanghai streets by night , the hero wakes up in the morning director in a corner near buildings unsafe and fixed on the face of a shy child , concluding : "The only thing that matters is Shanghai . "By these words Mr. Lou Ye, I bear you my esteem .
毛利亘宏，你真的不要再当编剧了，能有几个这样的剧组够你嚯嚯啊？你真的对得起演员跟粉丝吗？能全员回归的剧组都少之又少，这就是你对热爱这部作品并且回归的演员们创作出来的剧本吗？演员们还要给你的破剧本安慰观众们，真的求求你跟久弥直树早日退休好吧。
时长短，经费少，故事弱，大纲很不错，拍出来的效果就很差，唯一感动的是原班人马的重聚
烂得某种意义上和英雄无归挺呼应的，好在只浪费了我一小时
整体的感觉用一个并不严谨的比方就是：曾经火过的一家餐厅的老板想来一次一周限定开张，把原本的厨子服务员等工作人员都喊回来了，但是从餐厅面积到食材种类数量再到人员状态都达不到当初的标准，结果就是最后做出的菜品你能吃出原来的味道，但大家也都知道不可能100%还原过去的样子……大概就是这样的感觉吧。
也太太太……散了！yuki也救不了。各种元素一锅炖，养老公寓，生前葬，share house……但焦点应该是，主人公如何应对贫穷困境，这方面几乎没花什么笔墨，几近顺流而下，最后突然拐弯，硬塞share house大团圆（按结尾倒推，难道不该是：破产主妇寻求share house解套，此时又不得不接手照顾婆婆，于是一家子在share house展开啼笑皆非的生活，一番波折后，最终选定share house为归宿……但成片更像是，婆婆的养老生活……当然，如果够好看，一切都是无所谓的
十年之后的各位主演状态生动地诠释了什么叫越瘦老的越快。
(无关映司被刀)
毛利亘宏，你真的不要再当编剧了，能有几个这样的剧组够你嚯嚯啊？你真的对得起演员跟粉丝吗？能全员回归的剧组都少之又少，这就是你对热爱这部作品并且回归的演员们创作出来的剧本吗？演员们还要给你的破剧本安慰观众们，真的求求你跟久弥直树早日退休好吧。
你如果不想让OOO迷悲伤地送他走完最后一程那就不要再设计这么一出悲剧，既然设计了至少把情绪渲染好，最后所有人心中还是留下了不亚于TV结局的遗憾，这次更多的还是无语以及情怀被消费的恼火
最弱智的点在最后映司把安库推出来，那安库以后占着哥哥的身体活着？作为怪物活在正常世界？ 本来占据映司的身体俩人一体双魂满世界旅游的结局也挺烂漫了，结果映司强行去死
八分是预感到还有后续希望别让我猜错
tnnd，节奏巨快，拿着毒鸡汤直接甩给我。虽然有很多经典回忆，但总感觉太刻意了。勉强给个3星，完全是最后的OP给的
他只是做了假面骑士会做的事，谢谢你火野映司
虽然我吃炒冷饭，但是这冷饭也炒的太烂了吧岂可修！！！😭😭😭
。。。。。？
动作：7
框架可以，没有铺垫不够细节，前传小说里超吊的老王霸气太短暂、没有披风就变得很挫、缝膜十王。郭达也没好好塑造。算了，细节补充就交给同人了，有映画就很满意了
一个现实中很沉重的中年话题故事被讲述得有趣又好笑，但是又不失苦涩感。第一次看天海佑希演这种被生活折磨得焦头烂额的中年女性，非常惊喜。
两星都给演员，一星给情怀。
为什么会有这种为了刀而刀的剧场版呢。编剧脸都不要了？tnnd
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