Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
又杂又老的梗杂糅在一起，和近几年春晚上的小品不分上下。整一个不伦不类。
小怪最厉害了！霸王龙舞每次每次每次都来的莫名其妙。现在的小孩子没那么简单了吧。最后各路小朋友带来的早古动画主题曲有点硬塞的质感，虽然很想跟唱。还蛮好看的！
太浅了，过家家，且有以往剧情拼接。只拎出关爱老人的主题
lame plots, weak doctor
#大耳朵图图之霸王龙在行动#就怕重新剪辑炒冷饭没想到还是这样做了 虽然过去了很多年也依然喜欢图图 但一看到内容基本都是以前TV版的重新剪辑 虽然是还算有意义的主题 但就是觉得没有新意和诚意 一直觉得大耳朵图图是国产动画里一个不错的存在 画风配音教育意义都不错 但能否有些创新呢（5.8）
人类没意思，大人们经常会忘了小时候的自己～这部成了十一首进电影院的选择～56年级的样子吧，大耳朵图图在动画梦工厂播放，是美好的童年回忆。我还记得动画片里图图刚见到牛爷爷就是这般害怕的模样哈哈哈！另外小朋友与老年人的选题不错，悲观地认为现在的小朋友很少能做到这些，大部分的休闲时间都交给了手机网络…一次美妙的童年回忆，谢谢你们～
十三姨快走了，才开始发展萌芽和yaz的感情线，为了最后重生增加虐点吗？yaz要和十三姨一起走吗？
满眼都是政治任务口号“关爱老年人”，国产动画片什么时候能学会用点心，尊重小朋友。（再也不为了场次向烂动画片妥协
可能不是我这个年龄段看的了，在电影院睡着了😓
记得小时候爸爸给我买过一套“图图”的动画片DVD，那时候我放学天天看，日子过得很慢但很开心，也没有现在成人后的烦恼，时光飞逝，我马上大学毕业，在今年国庆假期临时起意买了这部童年回忆的电影票。当看到副标题和片头时，我在想我是否会不喜欢这部动画，因为看起来是一个充满不切实际胡逼想象的子供向低幼无脑卡通片，结果事实证明我错了，这部剧场版探讨了充满人文关怀的关心孤寡老人的现实主义议题，虽然制作上不及近年来日益崛起的追光和彩条屋，但这样一个故事让我泪目了，应该是国庆档最值得亲子观看的一部院线片了，值得推荐！
不如第一部好看，前段内容大多都是TV剧里面的剧情，不过是重画了的。
不如第一部好看，前段内容大多都是TV剧里面的剧情，不过是重画了的。
我错了。我确实没想到里面剧情基本都是炒冷饭，好没有诚意啊
哈哈哈哈 轰隆隆隆
感觉这个妈妈很喜欢刺激啊，各种骚操作把自己的一双儿女和老公送给恶魔，女儿害怕，硬逼着去地窖，儿子在家玩耍，明知道那个录音有问题，完全不确认一下孩子是否在家，是否安全直接开录音，感觉是不是背后有故事，例如巨额保险打算骗保之类的
电影非常一般但因为是和好朋友一起看的所以打五星 影院热的全身流汗 难忘的回忆啊
挺好的动画片，你们何必以成年人的视角来打低分呢？
确实是小时候的故事重制版，但也很快乐。感觉回到了小时候的时光😭。
其实还可以，只是这群人为什么要数数没太讲清楚。再次证明，如果一样东西标注了远低于自身价值的价格，那你一定会付出点别的。
多那一星是和去年的特辑相比好了不少。但cc的毛病一个没少，说教，感情戏突兀，不只是小黑和包租婆，亚兹对十三姨的感情我无论如何是没看到前情提要的。loop的概念挺好但拍成了流水账，唯一喜欢的大概只有加特林打雷
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