Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
，但从彩蛋上看，或许未来能有所改变——有友谊就有魔法
看在g4的面子上多给一星，真的回归子供向了，和前作没法比
蛮老派的情色悬疑片，挺少见的了。西德尼斯维尼和刘承羽的身材都太令人着迷了，本哈迪的男色也不错。角色选对了这片子就成了一半。导演的视听语言还是挺有想法，几处转场处理还是比较有想法，但整体节奏还是太拖沓，片子后三分之一的两次反转其实挺垮，尤其结尾还不如不拍。深度方面还是浅尝辄止，其实这种题材太能深挖了，希望有朝一日还是能看到萨姆·门德斯版的《偷窥旅馆》。还是要再回味一遍希区柯克的《后窗》解解馋。太吃刘承羽的颜和身了，满足。
故事情节还是很平常的，作为小时候的回忆，每一部都要追完！
我原本只想看sydney的美好肉体（euphoria太迷她了），结果没想到是这么凶险的反转电影……… 对手的恶和女主的恶都挺厉害的，咋说，陌生人之间还是“关你屁事”和“关我屁事”吧……小黑哥太惨了我的妈。
看在g4的面子上多给一星，真的回归子供向了，和前作没法比
我觉得好看喔！歌很好听！哈哈哈哈哈，我看得挺欢乐的
没必要的杀人，窥视与设局的前半段是好的，甚至两位女生之间流连出的淡淡情欲都抓的很好，蛇蝎美人刘承羽差点意思。只是为了讲一句“不满足的人到哪里都不会满足”的伊索寓言和用毒杀人一样让人觉得小孩在说大人话。
感觉在这几只马身上能看见我以前的朋友的影子，每只马都很有个性，有自己的风格，有自己的能力。帅的帅飞了，美得美极了。是不是有让人捧腹大笑的情节，让人随着主人公的历险而紧张揪心，如临其境。
说悬疑，推理全无，漏洞百出；说复仇，太过愚蠢，强行反转；说寓言，凝视深渊，大喊口号。也就剩下美好的年轻肉体博博眼球。
剧情神马的一塌糊涂，西德妮·斯威尼是唯一的看点。
G5的几匹小马都挺有好感的！！Hitch和Izzy很喜欢！歌也很好听，开头M6还客串了一下，情怀一下子就上来了，就是剧情再好点就好了，感觉比G4要子供向的多，可能这部更合小孩子胃口吧
确实挺大的，这就值两颗星，话说回来剧情得多无聊才会让关注点变成这样啊…
主题还不错 有些虎头蛇尾
陪孩子看的，没想到还挺好看的，就是不知道主角她爸怎么走的？突然笔记本变遗物了，可能给孩子喂水时错过了😭
想来也挺讽刺，g5上映当天g4被列为含有暴力元素的动画，面临下架风险
最后的反转？？？还不如让两个美女ko了渣男去搅姬！！！
好嘛，去年上映，今年国内引进，我去年就看过了，我都以为不会引进，，，
主创肯定觉得自己这个“当你凝视深渊时，深渊也在凝视你”的反转点子非常牛逼，估计这片就靠这个高潮部分来启动项目，但是最后女主反杀是写的啥？专门服务大众的道德底线来的？米帝也有广电是吧😅😅😅
看完了 我大概有三处泪点：Sunny爸爸讲故事时第一句“Once upon a time” 闪电天马海报出现 最后的彩虹音爆一样的激光
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