Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
伏笔埋的很好，各种前后呼应。很多情节让你有“我就知道”的快感。总体来说是很不错的惊悚小品。
血腥又好笑，老爷子最硬核。家里这么多枪却不求反杀一心逃跑算是bug，不过清晨的血浆大战足够劲爆，推荐！
唔……《女巫復仇記》，又名《獵魔人之供應鏈崩潰》。非常血腥，比較神經病。下半部比上半部好。
最后男主差点被按到除草机里了才想到只有老爷子能救场了，老爷子从养老院逃走抢了印度护工的车是电车（娘炮车），然后电车没电也是显示没油的标志，黑年轻的自由派真的是不遗余力啊哈哈哈；不过反手老爷子都被除草机伺候了男女主还只想着跑路我人傻了；总体来说最近看了几部北欧电影（《正义骑士》）发现这些悬疑惊悚片虽然套路比较单一但是没了好莱坞流水线反而挺让人眼前一亮的
“人类需要怪物” ”世界永远会有新的怪物“
故事倒是挺有意思，但这夫妻俩好像都不大喜欢拿枪，好几个可以拿枪的机会都没拿，有点强行延长剧情了。
明显比剧版强，但是故事跟原本的设定有很多出入……另外凯尔莫罕被烧这么大一件事情，故事太小了，整个感觉很匆忙
啊啊啊啊维瑟米尔太帅了，BGM很有游戏的感觉，好好看！
居然是杰洛特老师的传记，杰洛特最后也出场客串了一下，电影还看得过去，不过如果不是巫师的爱好者估计不能太get到电影的点吧，所以这是一部粉丝向的作品？难怪分有点偏高
#维瑟米尔真的很🉑
不是书粉也没看过剧集，故事还不错，应该叫《猎魔人的诡计》，制造怪物再去杀，赚进无穷尽的钱财。控制梦境的桥段想起《鬼灭之刃无限列车篇》。7
1，失败婚姻真是爱情的坟墓，实体的。
这部电影对原著小说做了比较大的改编，效果却是超出了预期。故事讲得流畅合理，脉络清晰，感情刻画到位，比起美剧版，是更适合“猎魔人”的表现形式。
打戏精彩，音乐很有游戏内味，开篇吟唱瞬间想起《血与酒》宣传cg。剧情就很一般了，初恋情人塑造得不错，“所以把我欠主人的债变成欠爱人的债吗”。还有那段月下告白，“拜托，我都快70岁了。”“我也是。”So romantic!
维瑟米尔年轻时的故事，猎魔人前传，脚本细腻，音乐贴切，节奏控制的很好。有时寓意直白并不是缺点，有种古典浪漫主义。猎魔人原著其实是杰出的波兰当代文学作品。
意外故事讲得不错的纯粉丝向作品，凯尔莫罕的毁灭与新生，这法印的加强了太多，维瑟米尔颇具魅力。
最后还得弄个皆大欢喜的结局。
网飞刮中彩票，又cult又好笑的爽片。前半部的多线不同视角叙事，前后有不少细节做到互为呼应，尺度上也玩得很暴力和血腥（轰蛋、踩折腿等），非常有娱乐性和黑色幽默。最后女主的心生一计也挺绝，真实改编拍电影，再替换主角成黑人直接讽刺了最爱搞zzzq的好莱坞，3星半。
二，青草试炼可以生发。
没玩过游戏，直接看动画。感觉为了节约预算还挺潦草的，怪物完全没有细节，也没有独特的技能。女反和男主的关系也不深入，信任还没到就反了。打得也没那么精彩，不怎么样。
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