Filming has begun for Us, BBC One’s four-part drama adapted by David Nicholls from his hugely popular novel of the same name.
Tom Hollander (Baptiste, The Night Manager) will be joined by Saskia Reeves (Luther, Shetland), Sofie Gråbøl (The Killing, Fortitude), Tom Taylor (Doctor Foster, The Dark Tower), Iain De Caestecker (Agents of S.H.I.E.L.D, The Fades) and Thaddea Graham (Curfew, The Letter for the King), with casting by Sarah Crowe. It is produced by Drama Republic and Bandstand Productions.
Douglas Petersen (Tom Hollander) is blindsided when his wife Connie (Saskia Reeves) tells him that she’s not sure she wants to be married to him anymore. Agreeing to still go on their planned family grand tour of Europe, Douglas vows to win back the love of his wife and repair his troubled relationship with their son Albie (Tom Taylor).
Reflecting David Nicholls' signature mix of humour and heartbreak, Us brings the Petersens' poignant and often hilarious story to life, taking viewers with them on their once-in-a-lifetime journey through some of the most beautiful cities in the world.
David Nicholls says: “It’s a huge thrill to see the novel come to life, and with such a wonderful cast and production team. We want to make something funny, touching and beautiful, to really explore marriage and family life, all against this incredible backdrop.”
Tom Hollander and Hannah Pescod say: “We are delighted to be working with Drama Republic and the great David Nicholls in bringing his beautiful novel to BBC One. The trials of the Petersens will strike a chord with many - a family tale for our times.”
Piers Wenger, Controller of BBC Drama, says: “We feel so honoured to be bringing David’s beautiful novel to BBC One and to have the brilliant Tom Hollander and Saskia Reeves playing the leading roles. We are thrilled to work with David and Drama Republic once again and also with Bandstand Productions on their debut drama for the BBC.”
Greg Brenman and Roanna Benn, Executive Producers for Drama Republic, say: “David Nicholls is a unique and rare talent who miraculously manages to intertwine profound emotion with full-on humour. This glorious adaptation has attracted an exceptional cast in Tom Hollander, Saskia Reeves and Sofie Gråbøl. We couldn’t be more excited to begin filming.”
Us is executive produced by Greg Brenman and Roanna Benn for Drama Republic, Tom Hollander and Hannah Pescod for Bandstand Productions, Jo McClellan for BBC One and David Nicholls. It is directed by Lisa Siwe (Temple, Modus) and distributed internationally by BBC Studios. Filming will take place in London, Amsterdam, Venice, Barcelona and Paris.
3.5/5 緬懷過往的機器所衍生出的一連串懸疑追查，基本上就是有些俗套的科幻懸疑片，概念與世界觀算不錯，但是用懸疑片做包裝，20年前已經有關鍵報告，不過這部是更為純粹的愛情故事，狼叔為了一見傾心的弗格森所做出的一連串追查與自我犧牲，整部片只有結尾沒落入俗套，反類型的選擇永遠活在過去，沉浸在回憶本身，直到將死的那一刻，結尾是全面啟動的反面，但是對角色來說，如果能幸福的活著，即便那是假的，只是回憶本身，似乎也不留遺憾了，畢竟人都有選擇幸福的方式。世界觀設定很有西部世界導演的style，作為第一部劇情長片表現也不算差，就是希望劇情可以再更加新穎些，吳彥祖的表演很讚，英語混中文的表演很狂，同時又看的很爽，導演應該看過新警察故事吧哈哈，直到現在吳彥祖還是適合演這種瘋癲反派。
本以为是黑色电影，科幻悬疑下却是意外的纯爱戏码。
熟人真多狼叔瑞贝卡吴彦祖加西部世界的老鸨和接待员（其中有一段她梳头的镜头，那是一摸一样啊hh），格局确实小了，披着科幻皮的爱情片，还有听到彦祖在说英文台词中夹杂着中文的感觉确实有点违和hh，就和一些人喜欢在说中文时夹杂着几个英文单词一样
就看看男主女主谈恋爱的，剧情根本就毫无意义
雷声大雨点小，拉片《西部世界》玩高概念，结果成片充斥着稀碎的节奏和扯淡的剧情，设局陷害后假戏真做，不过就是老套的主题用科幻的外衣包装下，再端上来卖，内力不足，用再好的配置，也只能衬托出别人更经典，真是白瞎了豪华的制作班底了，分只能给特效了，被海洋淹没的末世城市，别有一番令人神往的味道
科幻悬疑外壳下的爱情片。越来越多的电影在展现“未来水世界”的背景，是时候再看一遍《未来水世界》了。狼叔以为遇到了爱情，后来才知道被人设局，心碎不已的狼叔继续追查真相，发现虽然是局，但爱情是真的。于是狼叔决定永远活在过去，活在和爱人甜蜜的时光，有一种《盗梦空间》的感觉。在爱情线的引导下，事情的真相和幕后的暗算似乎都没那么重要了。可是爱情除了感动到了角色，似乎也没有感动观众。最让人气氛的是，彦祖的戏也太少了吧。
and things we missed about them.
很喜欢片中未来水世界中城市的那种衰败感 男主整个就一根筋到底的恋爱脑 所有的科幻 悬疑设定就为了讲一个老套路的爱情故事:美艳女子误嗑药并卷入了黑帮大佬 黑警 地产暴发户的破事中 为自保假装接近并爱上男主 没想到后面真的爱上了…吴彦祖为什么要讲一句英文并夹带一个中文词语…
故事一般，悬疑感做的不好，其实在科幻方面也没啥新意
「那就跟我講個快樂的故事，但要在中間結束」
我还不如重看一遍《盗梦空间》《记忆碎片》……
疑犯追踪+西部世界。Newton的设定和疑犯追踪里的Shaw几乎一模一样，枪法好，医护，老兵，酗酒。
丽莎·乔伊作为诺兰的弟妹，在自己执导的作品中满不了会带有一点诺兰家族的叙事元素。而我们也能在影片的背景设置和叙事上看得出一点端倪。
总之，打三星是因为演员。
对未来水世界的描绘近乎于预言。但除此之外，乏善可陈。人物形象单薄，情感缺乏演进，角色动机不明，剧情漏洞难圆。
还可以吧。故事太简单了。场景与爱情是特别美的
最大的问题还是在于回忆的绝对真实性，使得真相的获得简单而略显无趣了，当然编剧也意识到了这点，所以在影片的一前一后中女主“创造”了两段回忆：丢钥匙事件引发男主听歌、借他人回忆给男主留遗言。只是相当可惜的是，这种方式本可以在本片中大量运用来获取相当的“谍战”效果，毕竟导演的丈夫可是以烧脑著称的编剧诺兰。保守下的叙事过于平淡，转折也略显简单，观众与角色的情感共鸣实在难以链接。回文这种构造形式在影片中用的相当得体，文戏的情报却以简单粗暴的打戏来获取，打戏打的实在一般。和《西部世界》一样，都是小资的文本，只不过一个真的高级，这部的相当装。对于男女性角色的设定也相当好莱坞传统甚至可以说刻板，男性勇闯天涯释放愤怒，女性理解持家守卫善良，你在回忆中追爱，我在现实给你打营养液。
吴彦祖：poor龟孙子，coming to my家，looking for my妞。狼叔：我脑子被记忆溶液泡浮囊了。RF：我是悬疑片男主最爱的谜样二维女子。Thandie Newton：青梅输给了天降。伴随着影院里此起彼伏的笑声，我失去了人生中的两个小时。
剧本很糟，导演也不行，没做出来黑色电影的质感，感情线也单薄，没有恋爱细节，观众看不出有什么刻骨铭心的，还不如女二给的戏多。想起旋风小子最后郝劭文说的，我觉得安妮没有珍珠好
朋友you should worry about that dam more than your妞
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