Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
炒炒冷饭其实也蛮好吃？一晃也是十年了。当年觉得没啥意思，现在反而有点怀念这个故事了。
和TV重复的内容有点多。另外，请欣赏闪光大人的英姿吧
女二啥作用没有，完全就是水时长，好看的还是俩人发糖，情怀五分，女二扣一分。
看过第一季TV版的小伙伴，可以把此剧场版当做是SAO平行世界的感觉来看，新添加的米特妹子纯粹就是为了烘托桐姥爷登场的配角了。
没有期待就会觉得哇还不错。看完之后打算重温第一季，好甜好甜好甜。
75分/刀剑神域是我最喜欢的番之一，sao篇章更是重温了五次以上。原创角色有点工具人的味道，但亚总视角+全程装逼的桐人+第二部即将（明年）上映+情怀加分还是看得我非常满足
确实，桐人的戏份少一点，多注重亚丝娜的角色塑造会更好。
情怀加分
这剧虽然最后还是挺燃的，不过大体上略显乏味，还是以贩卖情怀为主啊！
出bug了吧 怎么想都和原著出bug了吧。。。
这口冷饭我爱吃好吧！给我继续拍！就要看SAO！！
看的时候总觉有点违和，特意重看了TVA头两话，发现果然魔改了，但很好的补完了亚斯娜遇到桐人前的经过，相比TVA更有张力
看完电影就想着 印度这个国家也太可悲了 尤其是生在那里的女人。。。
电影的情节和画面做得都很棒。感情也很到位。但是可惜全程无爆点，让人感觉高潮还没起来就结束了。
11区惯例“虽然我爱你但我遵守不了约定”式展开，问就是人物塑造为剧情安排，而且一定要喜成炮灰。
情怀大于本身吧，虽然在动画电影里算不错的。。反复吃书挺傻逼的。
這應該算是第一季的前傳吧，亞絲娜的視角真的絕。
第一次看这个系列，确实很适合再收割一波粉。不过很多文戏不知所云
什么时候才能有能log out的 SAO。吃书的剧场版，Sao的桐亚世界もどもど
什么时候才能有能log out的 SAO。吃书的剧场版，Sao的桐亚世界もどもど
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