Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
久违的治愈与温暖，不过这两个故事放在夏目的故事里算弱的
我已经变贪心了， 看完这个就忍不住想， 什么时候才有第七季呢
后会有七 值得重刷
这时候会发现，在夏目的世界里，哪怕之前发生过什么样的摩擦，到最后都能治愈一切，这样完美的世界在现实生活中又在何处呢
期待第七季。
分为两个故事倒是蛮奇特的，也许是认为还是短篇更适合这个系列。两个故事各有千秋，都保持了一贯的风格。不管是一心报恩的小妖，还是惺惺相惜的池主对决，都有人性和友情的影子在里面。很触动人心。
由两个可以当做TV短篇的故事组成。《唤石》的情节很简单，一个小妖怪救了悬崖上的鸟，被岩铁看见，岩铁每隔一阵会陷入沉睡，需要有人来唤醒自己。岩铁便把这个任务交给小妖怪。在前往沉睡之地的途中，小妖怪躲避着想要取代她完成任务的其他妖怪，与夏目相遇，一起努力实现目标。这其实是个最最简单的承诺与信任的故事，但好像年龄大了，反而看这样的故事会愈发触动。大概是知道现实中很难出现这样的坚守和宁静的缘故吧。第二个故事是系列最常见的羁绊主题，两只池妖约定不时较量一下，但其一由于池塘干涸而妖力渐失，不得已附身于人，另一只则化为访客前来。田沼和夏目的君子之交依旧清澈牢固，以之照应两只妖的友谊也颇巧妙。还是期待好久不见的第七季和新剧场版吧。
好可爱好可爱好可爱好可爱好可爱好可爱 里面的妖怪都好可爱 夏目友人帐和虫师算是我很少能静心看下去的动画了 真好啊 看完了心情立即变好 而且片尾曲也好暖
很久不见. 5年没看了. 依旧是熟悉的夏目 只是作为剧场版过于平淡 . 就好像吃薯条没有番茄酱。
唤石者的语音导航地图，大型酒鬼任务聚会，两队争夺赛，地道的风景
😭夏目是我最喜欢的动漫。。。太温柔了。。。
讲真，第七季真的不考虑出一下吗？？？好忧桑，望眼欲穿，不知道能不能活久见🥲🥲🥲
《夏目友人帐》多年来无论是TV版还是剧场版，整体风格和中心思想均是如同第一季时的清新治愈、温馨暖心；夏目和他的喵咕森塞、一众人类和怪物朋友、以及养父母滋叔叔塔子阿姨，在电视剧里那个似乎永远存在的夏天里，无忧无虑的生活在这个充盈着暖色调的小镇上。
srds这个剧场版好无聊，以及三筱的人形是真的帅
《奇怪小妖找主公》1星
选在合适的时间总是让一切选择都为情感铺路。
6分 1唤石＝御用起床铃，讲不辜负信任。
《夏目友人帐》多年来无论是TV版还是剧场版，整体风格和中心思想均是如同第一季时的清新治愈、温馨暖心；夏目和他的喵咕森塞、一众人类和怪物朋友、以及养父母滋叔叔塔子阿姨，在电视剧里那个似乎永远存在的夏天里，无忧无虑的生活在这个充盈着暖色调的小镇上。
前半部分natsume和娘口三三好甜哦，看到美丽的风景也惦记着要和对方分享
PS：娘口三三的戏份太少了，怎么说都是此系列作最“大牌”的配角(木有之一)，这两个故事基本都在打酱油。。。那和其他配角还有啥区别。。。强烈建议新系列加大三三的戏份哈！
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