重生六十年代小说

重生六十年代小说 高清

评分：
9.0 推荐

分类： 剧情片 2003

导演： Herbert Wilcox

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剧情介绍

　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
　　Roger Philip Mellor

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评论:

  • 乙小瑜 8小时前 :

    A24. Red is the color of lust, but green is what lust leaves behind, in heart, in womb. 醍醐味。

  • 娅岚 5小时前 :

    需要结合解析去看去理解的一部电影 正如很多影评来说就这么一个简单的故事却拍的让人昏昏欲睡 电影的确是个很私人的东西 正是这种“昏昏欲睡”的感觉 让我着迷

  • 以美曼 9小时前 :

    当我们发现它可望不可及时 我们把它砍掉 把它消灭 躺在它之上 把它置于我们腹中 但它总是很快就回来

  • 古添智 0小时前 :

    从《鬼魅浮生》开始就特别喜欢大卫·洛维的风格，到了这部最新作也不例外。精致的构图与色彩运用，令强迫症拍手叫好的运镜，再加上极其有韵味中世纪骑士风格，造就了这部观感相当舒服的电影。虽然剧情并不算精彩，但最后一幕捡回了不少分，完成了一个合格的收尾，也已经达到了我的预期，好看。4星。

  • 卫宁辉 7小时前 :

    看到后面还是越看越迷人的，有魔幻史诗的质感，就是还可以再荒诞一点。

  • 单思彤 0小时前 :

    结尾处的倒转镜头以为是“反骑士精神”的表达，刚要惊呼，结果只是幻想…

  • 宋清宁 5小时前 :

    6.0分，年轻又漂亮，不找男朋友，也不找工作，有钱有闲，猫狗双全，

  • 康奇 7小时前 :

    美术很棒，有表现主义的风格。如何能成为一名真正的骑士是主人公面临的问题，也是电影想要探讨的。总体像是奇幻元素的公路片。

  • 可呈 6小时前 :

    A24最近确实有好好的做奇幻类故事，希望当家的恐怖类不要丢了

  • 大千儿 1小时前 :

    景观画面音乐氛围都很好，但故事过于冗长晦涩

  • 抗半青 3小时前 :

    画面走毒德风，叙事氛围走克鲁苏方向，故事是预言，符号化的东西还不太够劲儿

  • 岚月 1小时前 :

    很童趣的古早味传说故事。索多玛一样的充斥交媾环境开场，“基督诞生了”，而喃喃not ready的男主酝酿不详，枭首的诡异恐怖被其后的木偶戏消解与强化，女巫母亲强化阶级自我拔擢的动机，出师未捷身先死，环形镜头表达时间流逝对极端处境（捆）的残酷，反剧情走向迷惑，此时镜头原路转回，给了男主和剧作生机，这一来一回是最妙的部分。寻头之旅加载淑女，与狐狸的通灵交往温馨，莫名的主人，与绿衣骑士对视，沧海桑田的禅静，东方哲学式的顿悟，解开虚妄的束缚，诗意的结尾。环形镜头与ready与否的呼应，人的成长与我执的放下。

  • 明箫吟 6小时前 :

    影像太强大，从一段幻梦坠入另一段幻梦，可一切并没有组成一个整体而显得乏味 3.5

  • 强诚 2小时前 :

    一具精美的尸体。修饰得再美丽也不过是了无生气的东西。

  • 兰鸿羽 4小时前 :

    一个男孩终于鼓起勇气摘下了遮羞布，成为了骑士～

  • 夫冷珍 7小时前 :

    马戏团让狮子在“人类控制下”“不自由”。

  • 偶妍歌 9小时前 :

    用影像诗歌讲述了骑士五德的故事，画面好于叙事节奏

  • 卫怡男 4小时前 :

    如果对中世纪文学意象和传说背景不熟悉，理解这部电影确实很有难度。整个电影像一部瑰丽奇幻的骑士版爱丽丝梦游仙境，狐狸、无头少女、巨人、城堡，都是骑士传奇故事中常见的自省象征，我倾向于把高文的这段旅途理解为彼得潘的成败交杂的成人之路，最后戛然而止的黑屏可以说是点睛之笔。一切浩大终究归于一瞬的醒悟，独立、责任，这些大人的东西，回顾起来，往往都是瞬间觉醒的。

  • 仙思佳 1小时前 :

    3.5星！从享乐，从纵容，从骑士之反面，从渴望被绿色腰带之守护到独自承担生命之醒悟。影片与原作有了一定改动，其并非是对高文爵士的那一高尚的骑士精神的诠释，相反则是通过描述其欲望与死亡恐惧等，进而呈现其在成为骑士之路途中的试炼以及自身之成长的故事。

  • 任冬梅 3小时前 :

    冲着恐怖片来的人要大失所望了，完全不恐怖。文艺范儿倒是拿的很足，场面调度、摄影、构图、打光、色调都十分精致，可以理解一帧都舍不得删的心情，但是130分钟看下来实在觉得形式大于内容。可能非常熟悉这个故事和相关背景的人才能看出新意吧，反正我是不行。我甚至在想象毕赣拍个沉香救母给西方人看大概就是这种感受吧……

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