The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
多半星给影帝。日本影视行业仍然不遗余力地拍这样的励志影视剧，年轻人却懈怠不前。人总得有点热爱的东西啊！别被那些忽悠人的物质享乐主义给蒙蔽了！“只有一次的人生，拿出干劲来啊你！”馬鹿！
这么好看的传记片不多了，而且这才拍了北野武做漫才前的时光诶。
You sit at your board, you lay out your tools and you start again.
意外的有些温情和伤感。不要让人笑，要逗人笑。
单一场景的精彩故事。撸起袖子露出左青龙右白虎的时候太震撼了。
戏剧模式，场景单一狭小，角色也不多，情节推进一点儿不含糊，不靠场面，就靠演员的表演来促成观众的想象，留白、余味很足。BUT，情节略有瑕疵，但还好，观感依旧不错。
I’m not a tailor I’m a cutter. Throat cutter ~only listening no talking
L.BURLING
满满的师徒爱，拍得很好，节奏，结构，演员的表演也很棒。北野武导演的名字如雷贯耳，原来他还是漫才大师，突然有兴趣去看他的电影了。
简单的场景，有限的空间，依靠大量对话来让剧情一波三折，显得非常的剧本杀。虽然收尾看上去仓促了些，按前半段来说还有不少可提升空间，但整体创意依然加分。
让男主的气定神闲显得非常悬浮
一直看到临近结尾阿武和师父从酒馆里走出来，送阿武上车时跟他说如果车费有剩余记得拿回来给我的那一幕才彻底明白了阿武在师父心里的份量，也确实没想到这竟然说师徒此生最后的缘份。
挺喜欢老裁剪师的拿腔拿调。
低成本小场景悬疑电影，这类电影很吃剧本，本片剧本有些生硬
热狗是很好吃
太像舞台剧了。所谓多处反转也不甚惊喜，稍有强行反转之嫌。
螺蛳壳里做道场，原来是《模仿游戏》编剧当导演，the perfection is necessary goal precisely because it is unattainable, if you don't aim for perfection, you cannot make anything great, and yet, true perfection is impossible,
“打好领带，是人生中重要的第1步。”
这种单场景的电影真的超级能出好故事！可惜我被剧透了
老裁缝气定神闲，通过几方博弈，言语挑逗，成功团灭了黑帮之一，太厉害了。
Copyright © 2015-2023 All Rights Reserved
