Synopsis
Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.
Notes
"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."
A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.
Afterword:
- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
噜仔与最喜爱的贾老师的观影记录，全程忙着吃芝士球。
比预想的好 整体节奏明快紧凑 小黄人还是挺讨人喜欢的 大眼卖萌模式终于迎合了标题 遗憾的是结尾大战处理的非常差 按理说这个系列应该是靠斗智斗勇和运气加成以喜剧的方式战胜强大的反派 却为了强行迎合中国吹捧功夫 让小黄人如天神下凡一般靠蛮力吊打了反派 简直出戏的不行 -0.5星 另外就是小黄人头上的一撮毛引起了人内心深处的恐惧 3.5星
作品水平符合期待，设计上略微有点俗套，但笑料依然是足够的。
中国元素如此之多而且还算用得对。旧金山旅游宣传片。管它什么剧情什么深度，小黄人卖个萌我就化了。也想要三个小黄人一起挤被窝！
雖然觀影體驗不錯，但我略嫌創意不夠。反派不夠魅力，劇情轉折不流暢，不喜歡Otto把玉弄丟的那個情節，但喜歡他把它找回來那一段。教功夫很標準化，十二生肖也很標準化，但我真的蠻喜歡片頭聽到中文歌。
好喜欢minions🥺🥺🥺全程都很有意思成年人看也不会觉得小儿科（除了剧情大致走向啦）而且很多情怀向细节！很多Gru长大后的影响都解释了。配乐也一如既往地很好
为什么现在大家都爱添加一些莫名其妙的中国元素啊……是否能在中国上映都难说吧。但是我终于记住了小黄人的名字：凯文、斯图尔特、鲍勃、奥托。
电影院座无虚席，从头至尾又萌又好笑，结束后久违的响起了喝彩声。完全放松大脑的享受😎
小朋友们肯定会喜欢，但跟他们一起看，体验肯定不会好。
影院看的，实在是太可爱啦~~~把Gru的成长还有博士的来历讲清楚了，笑点不断，强烈推荐
我爱小黄人!!! Stuart!!!!! 主创应该没少看盗墓笔记跟鬼吹灯…电影本身一般, 放一堆续作里还可以…
本人2022年院线的最大损失一定是小黄人，救救我。
挺好的，最难的是在如此意识形态冲突的年代，还能有一部中华文化正面宣传的主流电影。
很可爱，很多中国元素（刻板印象），很多1里面的对应，但是也有些问题比如Vector年龄？？？
中国元素很足，中国新年、中国功夫、十二生肖等等，一群小黄人可可爱爱萌化了，最后那个🐥小鸡儿小小黄人在神偷奶爸里面并没有出现过。
好久没看过这么烂的电影了，用脚写的剧本都比这部好，全片毫无逻辑，剧情尴尬。刚开始还觉得小黄人还是一如既往的可爱，但后面同样的包袱不停的出现，我是真的笑不出来了。
蠢而可爱，小黄人的屁股蛋蛋呀。这么多中国元素，但不知道能不能在中国院线上映……杨紫琼总是被请来演这种扫地僧角色，会不会觉得很烦？
三线叙事中最爱看公路旅行那对，一开始进放映厅以为走错了，全是成年人
狗狗眼卖萌直接给我送走了😭😭😭😭
也许如今再看小黄人已经没有小时候那种兴奋感了，甚至会觉得有些幼稚。但当他们出现在银幕上时，就仿佛在召唤着我，再做一场童年的梦吧。
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