"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
一口气看了两部！水生呐～你打了好开头，结果子女却遭如此罪～放眼，从古至今，蛊惑人心，妄想实现阴谋的事件缕缕发生！哎～可悲！
一个接一个的人的死去村民就这反应？
ロディ开车，久的衣服晾在外面的时候，车内画面应该很牙白x
结局太匆忙，太简单。
逻辑硬伤太多了，这麻木也不至于这样…那个坏人吹过 这尼玛拿来立刻又吹……
这算是把很多的矛盾拼凑出来的电影，每个节奏进程之间拼接都靠的是一厢情愿，对方附声应和？
镜头表现挺漂亮，年代感也强。无奈编剧不给力啊！一猜就是这样的结果。里面Bug 太多，掳走那么多孩子就为了造鸦片？那得做到猴年马月去啊……
音效和场景做到了渲染恐怖的气氛，情节中能够调动观众的视线，黑木林的水和草的场景设计还不错，阴森的感觉立马有了。
这是我看过的哭的最惨的一部恐怖片。（我好像有特异功能，能感受到清河的痛苦）
比第一部好一点，但是有些逻辑方面还是不通。两星半。
ps：配乐差意思，不说跟无限列车比，连上一部都不如。
女主好像和对戏不在一个频次，台词拿腔很明显，容易出戏。
还算能看吧…开局一个韩栋，结局一个水猴子，好想at狐主任啊。我挺喜欢女主的，举着猎枪的样子挺帅的。水猴子的造型太难看了，氛围可以，就是布景太穷了。剧情还有点感人。整体有点样板戏的感觉，说台词演戏都有点夸张一板一眼的。
项氏的完成度还是不错的。
快进，尤其是水猴子被抓之后，答案揭晓的过程忍不住流泪
这么多主打温情的电影都不会让我哭，甚至让我觉得尴尬，但是没想到一部网大居然让我和我舍友哭了
先抛开辱华不辱华的，纯粹就是为了热血而热血的😅
先抛开辱华不辱华的，纯粹就是为了热血而热血的😅
女主生命的意义在于为了两个弟弟不惜牺牲自己；用粘稠的泥浆和骤急的暴雨堆砌出一的一出破除封建迷信的闹剧，来自民国的乡民们人性之善仿佛绝无任何九年义务教育漏网之鱼；水平和气氛营造略高于网大，但也就是略高而已；至于碰瓷《水形物语》，某种意义上真的是照着《水形物语》拍的。
电影院看的，效果炸裂。街道追逐战的部分感觉做得最好，分镜超强。Boss战也不错但没有超过英雄崛起的水平（第二部的Boss战实属牛B）。没想到还有公路片的部分，有些意外但也好看。剧本水平四星，主要是人物扁平（剧场版，可以理解）。A班同学大部分在打酱油，比前两部电影的互动少很多，就有些突兀感，这个酱油还不如不打。
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