Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family.
As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did.
Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano.
The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving "wrong impressions in the minds of the public about the character of the story." It ultimately was released as Broken Lullaby.
说教成分过多，可能是因为子供向的关系。但是最后比赛的时候节奏把握的太好，对于我来说回忆杀没有影响观看。作画水平很高，尤其是最后喜羊羊的恢复感觉有中村丰那味儿了
6.5
灰太狼:我们认识多久了
0123点映。
看似一个无厘头的台词但是比那些正能量台词让我印象深刻，
感觉声优们年纪大了呀，虽然更想念十二生肖系列，不过这个也还不错啦
缺点
还挺热血的！就是好多角色是不是美颜过头了？还是更喜欢淳朴画风~
剧本太弱了，全靠最后的比赛撑着，对于明知结局的剧情没有创新。情怀大于故事。
很难相信，这部已经放送了5000多集的动画，仍能再出新意，在全网引发轰动虽然票房成绩不理想，但口碑稳扎稳打，品牌效应扛得住。
看这部电影最大的困难是我对篮球真是一点兴趣都么得，刚开始部分看得相对艰难一点，后边整体的节奏相当不错，尤其是新赛季的前边概括性的章节。作为群像，球员的形象也有立起来。懒羊羊三分球非常棒👍🏻妈妈为你骄傲🥰帅死了我们小懒。画面也做得很棒，很有观赏性，虽然我不懂篮球名场面但我也看得开心。
意料之外 情理之中
太严肃，太正能量 搞了半天居然是给大人而不是小朋友看的 甚至想搞成中国版的灌篮高手… “成年人的生活，不容易啊”
已知是催泪题材，所以看时不自觉提高了标准，一边看一边心里发弹幕：「有钱真好啊」「感觉年轻人得阿尔兹海默症比老年人还痛苦」。不过庭审戏有让人眼睛一酸，女主在法庭上憋不住尿，几位女人带她去洗手间帮她换下装，女主不停挣扎，哭着喊着要爸爸（患病之后，一直是父亲在照顾她）。
虽然涉及到这类题材的表演，大部分是技术上的展示，但徐玄振做到了诠释出病理演变的过程，是将一个成年人的体面、自尊逐渐抽空的状态，尤其最后她在自己的女儿面前失去了所有为母者的铠甲，完全退化成一个倒错了亲子关系的孩童，甚至可以说是像一只仅剩下生命本能的动物，其实这种演法不一定真正符合阿尔兹海默症的科学逻辑，但是放在电影的呈现中是足够好看的。可惜的是安圣基因为受限于角色的功能性，没有更大发挥空间，父女线如果也能和下一代的母女线紧扣成环，成片质量会更上一步。
虽然歌是抄的，但是最后一场比赛实在是太燃了，这还是喜羊羊吗？
7/10
如果可以重新设计人物，好好搞一部“第一部篮球国漫”这样的宣发好过跟喜羊羊纠缠不清。毕竟我记忆里的喜羊羊还是跟生肖挂钩的大电影
看的时候其实没什么惊喜。
很轻松的一部商业片，看到久违的老朋友们，让我很是亲切，片中2对父子还挺感人的，只不过有太多日漫式的表达、分镜、台词，没啥表现力和感染力，再有，打球的动画也不是特别流畅，感觉也就一般般。
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