Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
挺好看的，好男人没签证坏男人当警察现实主义得一匹。
基本是猜的到剧情的片子，不过也有喜剧的小桥段。算是可以随便看看吧！
周末度假海滨，狂欢闺蜜失踪。
前半段很精彩啊！暴雪遇险虽然艰难但是演得真实又出彩，后半段突然静下来讲内心戏，就逐渐有些压抑。片子还是好片子，值得一看！
全片都在心疼女主，不过最后终究把渣男给送进了监狱。
惊悚，女主为啥这么勇敢，直面凶手，自己查案，这么相信出租车司机么……警察监控也太不认真了……没看出来是两个人么 而且那个男警察拼命追是干啥……莫名其妙……
It’s always the ______
只是經不起推敲
非常套路的故事，不过胜在是法语片子啦。最后彩蛋：只要有钱，男骗子男女都骗。
非要在厕所里报警吗？克罗地亚警察这么蠢？不查一查她老公的航班信息？
我很老套 就喜欢it’s always the husband和women help women的戏码
翻拍自墨西哥的《我们是贵族》，可惜劳资法兰西的幽默与热情并没能抚平作品的先天不足，故事从头到尾还是那回事儿，哪怕热拉尔·朱尼奥在《放牛班的春天》里能挽救一个班的熊孩子，在这里也没可能领电影更优秀一些……
叙事的连贯性不是很好，也没有能成功得营造出紧迫感，因为结局是注定的，也感觉没头没尾的
既然不是警察杀了你朋友，监控是怎么回事，监控出现了，后面再来反转，就很假了吧。结尾居然是女主干掉前夫，潇洒地走出家门？
为了娜奥米沃兹而来，人性的电影总是被习惯爆米花影片的人认为生涩难懂，但这不阻挡这部电影依旧是好片一部。难道娜奥米再去演金刚三不成？交给景甜就可以了，不屑。
看完发现自己意外喜欢，最普通的故事往往最难拍最难演绎，暴风雪的场景让我也是格外喜欢身临其境，这场救援，救的是你我自己，救的也是我们的生活，即使身在暴风雪中这场雪也格外美丽(往往生活上的风暴带来的伤害并不比这场雪山上的风暴带来的伤害低)
纯扯淡，一点都不符合实际。小成本电影都不太符合正常人的逻辑思维。衣服都湿了，不生火烤干不换衣服，早他妈冻死了。
四星全部给queen B ，她是我的白月光估计就是这辈子不会变的事实了，看到她事业发展成这样真的很唏嘘，我总是觉得她值得更好的，又觉得她应该永远停留在我的记忆里，但是就像这样时不时的出现在各种文艺片和惊悚片里也挺好的，现实中她也结婚生了宝宝，真的希望她可以幸福快乐。这部电影我觉得还挺好看的，烂片肯定算不上，看完有种想让人出去旅行的冲动，在房间里睡到傍晚然后出门在一个陌生的地方找东西吃的感觉一定很不错吧。
偶尔看看这种无脑的喜剧片心情真的会好些，最近还是要保持好心态噢
又看了一场《海边的曼彻斯特》
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