Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
家庭观影，挺好的。还挺吸引小朋友的，从小朋友的角度看，有冒险，有刺激，也有个人阴影的突破，还吸收了一位新队员贝贝，满足了。
导演为了表现zzzq，给女黑群演，男黑群演，亚裔男群演，各一个大大的特写。求生欲满满。
- 小哥说莱德变丑了。我以为他是说莱德换了发型（我也觉着新发型不好），结果他说的是莱德脸上多了“点点”。
按照子供向来看，还是不错的，我儿子到现在还意犹未尽
陪孩子去看的，只能说技术制作精良，其他真的没什么好说，尤其多处违反交通法规和物理逻辑，动画片的世界不能深想。
作为儿童片 各方面都实属不错了 我都认真看了 你说灵不灵
不敢相信自己，这么大了，还在看小孩子看的电影
陪小孩看的，一开头的小乌龟太可爱了，是我见过的最可爱的乌龟形象，另外配乐也很好，其他的就一般般吧，孩子可能比较喜欢
陪忠实粉丝看的，居然他很平静的全程看完，酷帅的战车和阿奇的心灵成长，不知道他看没看懂……
画面朝玩具广告走，有点不爽，感觉是主业卖玩具的顺道拍了个电影
子供向的东西 但是剧作完整 特效好看 各种机甲变形酷炫但过满
陪小妞看的第二部，还是全神贯注格外开心，也和小妞讨论（吐槽）其中的剧情问题，更是有趣加开脑洞。
尽管画风升级了，但故事没剧版和前面上映的那部好看
今年暑假在电影院看过的第一部电影。别的都不说了，我只想知道当初把女孩子直接交给公司研究不是照样完事吗？ 闹这一出又伤人力又伤经济又破坏生态还破坏马耳他的治安，真的有意义吗？😅我看这个公司老板也没有这么罪大恶极呀，他未免有点太惨了吧...不过给我带来的惊喜还是有的。电影院带来的观影体验非常好，影片视觉效果还挺不错的，和我年龄相仿的那个女孩子挺好看哈哈哈哈哈
虽然细节设置整体有点zz儿童欢乐多，但整体构架工整得令人惊讶，而且把整个城市背景、机械设置都当作玩具来看的话也非常有趣，观看感受从一开始的“emmmm是不是该提前离场干点别的”到“好像…还不错？”甚至灯亮之后的片尾画面都津津有味地看完了。
通过与恐龙共存来维持生态平衡，这明明是个很宏大的主题，但是这电影主线不是杀蝗虫就是教育叛逆期女儿…虽然与恐龙相关的动作惊悚戏还是很多，老版三部曲主角全部回归，还有不少致敬的地方很会卖情怀，但跑题太严重，那么宏大的故事主题跑到那么小的故事格局里，作为侏罗纪系列粉丝真的感到失望…
新总部，新装备也蛮炫酷的。
跑跑跑 打打打 boss也太后知后觉了，全世界都知道黑人小哥是卧底了他才意识到，只能成为恐龙的一餐了 只有萝莉好看
居然还能看下去 以及男主和男狗的故事还居然有点感人 但是我最喜欢的就是小蝴蝶犬 你就是我最喜欢的小姑娘！
其实把本片当作是包含了恐龙元素的动作片+恐怖片，则看起来还是不错的
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