With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
2. 第一部好歹还有点拳拳到肉的打戏的爽感，这部直接靠眼神，上一回看这种打法大概得追溯到《暮光之城》吧…虽然特效做得还行，但剧情真的是拖沓得要命
2. 第一部好歹还有点拳拳到肉的打戏的爽感，这部直接靠眼神，上一回看这种打法大概得追溯到《暮光之城》吧…虽然特效做得还行，但剧情真的是拖沓得要命
2.黑吃黑，狗咬狗，明星大乱斗，围绕普通人晋久的戏剧冲突比超能力者装逼更具亮点；
谁才是真魔女，金多美一个眼神就立见高下了。如何形容这部续集呢？大概就是“全是技巧没有感情”打戏是升级了，都能像超人那样飞来飞去了，相比之下第一季的段位简直就是幼儿园水平。
上海基因改造人一言不合大打出手，美国继续充当需要治治病的国际警察，韩国基因改造人终究是大boss。我真的是栓Q了，别特么说啥不要带入啥啥啥，我是真的看不惯。
看十分钟就行的片子 非得整2小时，搞不明白
嗯。。。韩版X战警神仙打架，比较有趣的是看他们吹瓶各种威士忌
忽略剧情和逻辑的大爽片，女主这超能力无敌了，放在漫威可以单挑任何超级英雄了，两代魔女汇合，第三部有好戏看了。
这《龙珠》加《火影》加《超人》的打斗真的有点太过了，而且个个都是金刚狼，被刀捅，被枪击，被断肢，过一会就恢复，这还打个屁。剧情即普通又混乱，阵营关系交代不清，是敌是友就是一顿干。
这第二部纯粹为了衬托当初金多美有多优秀而拍摄的是吧。差距真的太大了。不禁翻出1来看一遍。
不如第一部，因为超能人造人的设定已经显露在外，没什么新意。处于食物链顶端的生物杀人就像儿戏，几帮人博弈完全就是烘托出魔女的恐怖实力。但是女主的表演太死板，没什么表情，还不如上一部魔女姐姐出来的几分钟
还是第一部好看 第二部故事线太弱了 李钟硕演了个啥 就客串了一下
看十分钟就行的片子 非得整2小时，搞不明白
这要早几年前，第一个镜头我就会被吓得立马退出观影再也不会想看了。
不如第一部，或者说，第一部动作戏还有亮点的话，第二部就不新鲜了。铺垫了太多，感觉可以拍个剧了。给网飞吧。
我的脸盲可能又重，里面人一换衣服、发型、拍摄角度，我就认不出来了，所以女主是实验室里全身是血的时候是第一次出场吧？。真是头大。后面跳过了，认不出脸，完全影响我理解剧情了🫠
额额额怎么套路和1差不多但就是没1看得爽。。韩国人能不能别装中国人讲蹩脚中文了 他们好自信我好出戏。。
说得中文根本听不下去。还有女主的设定太超纲了，中国那方的那么强竟然被秒杀，总体来说视觉效果不错，韩国这类片超过国内太多了。
满级女主屠杀新手营。反派太少了，都不够女主杀的。另，能不能找几个专业中文配音，台湾的也行啊。
2.黑吃黑，狗咬狗，明星大乱斗，围绕普通人晋久的戏剧冲突比超能力者装逼更具亮点；
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