Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
结尾有点见鬼十法的结尾那个意思，以为出去了，其实还困在里面；还是值得一看，女主看着年龄不小但肯定年轻的时候是个美人胚子，一查没想到是恐怖蜡像馆的女主，哈哈
失望，算是TV动画部分剧情的扩写，但是扩写的这么无聊我是没想到的，连小孩子都不喜欢。
本来对《快乐星球之三十六号》和这部电影抱有很大期望，结果这两部真的挺让人失望的。
救命……临时空出来的一点时间。。就两部片子可以看。。完全该去二刷一下兰心。。
搞不懂打低分的什么心理，平均分完全值得七分以上的，拍的挺好的，比多数恐怖片的悬疑感都强，也不拖泥带水。我给满星。
第一感觉是，电影都轮到被抖音影响了吗？年轻一代从中国动画中受到的教育令人担忧，味同嚼塑料，如鲠在喉。
看恐怖片总会有这样一种感觉：主角，常常是女主角，明明应该有危险意识，保护好自己，但是就是努力去作死，拼命去做一些无脑操作，忍不住想让主角赶快挂掉算了。话说回来，主角如果不作死，哪里还有恐怖片可看？哈哈
Doctor真是个lady killer
怎么说呢……跑着跑着突然停下来谈情，屏幕差点都被我捏爆了…………
我儿子那么爱动画片的小朋友都坐不住了，同场的小朋友全都在玩，导演，我想问问你，拍给谁看的？良心呢？别钻钱眼，要点脸！
真的很治愈啊。最近几天不太开心，看的过程中笑着笑着就哭了。这种单纯的快乐实在是太难得了，谢谢图图~
国庆给我姐和家里的三个娃买票他们去看了，中间据说有一个什么怪兽出来了，礼拜一哇地一声就哭了，说怕怕，不要看了。我姐就抱着他出来了，我姐说图图那个大脑袋刚出来的时候礼拜一就已经害怕了。剩下俩最后看完出来，说很好看（我一点都不信）。我问都讲啥了，他们说要关爱老人。说明看懂了？
国庆陪家里小朋友，看得还挺开心的，但是最后那段虽然我知道是想要说关爱老人，但是要在给小朋友看的动画里面塞这个玩意总觉得怪怪的，就像网友说的“这是少子化老龄化压力下的童话”。再就是在电影院听到葫芦娃、黑猫警长动画歌曲的时候小感动了一下，转念一想。。。难道这么多年了小朋友们还在看同样动画？中国动画行业的悲哀啊。。。
家里三岁的孩子，短暂喜欢过图图，后来将热情全部投入到汽车类动画了。作为家长而言，稍微觉得有些可惜。图图的剧情一般以积极向上的道理为核心构筑故事，诙谐幽默之余，又让小孩得到了成长，是适合小孩子看的一类动画。
感觉这个妈妈很喜欢刺激啊，各种骚操作把自己的一双儿女和老公送给恶魔，女儿害怕，硬逼着去地窖，儿子在家玩耍，明知道那个录音有问题，完全不确认一下孩子是否在家，是否安全直接开录音，感觉是不是背后有故事，例如巨额保险打算骗保之类的
前面初识牛爷爷，买完酱油不敢回家那部分不是动画片里的剧情吗
是个架空世界的时间线
剧情重启了，牛爷爷重新登场，tv的剧情对不上，就像是看同人故事，剧情注水严重，剧本和前三季tv不是一个水准，情节设计不得不说落俗套了
还没看S13E6 如果烂尾，则以resolution 和revolution的水准期待这期元旦
……可能是怪我20了就不该妄想看图图这种动画了吧……打三星是因为坐我后面那排的小朋友好像还挺开心的
Copyright © 2015-2023 All Rights Reserved
