Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
没有拍出大战在即的紧迫感以及谍战的神秘感，感情戏似乎没必要，挽救了数万士兵的生命，勉强4星。
什么鬼，还以为是战争题材，主调性轻松没问题，但感情戏比重太高了啊，放在战争片里严重失衡，干脆片名改成二战乱世情好了呀，一个老套的三角关系有什么可大肆着墨的我就不懂了，而且男女主的感情毫无美感，无语，真是白瞎了那么多其他场景里的英式幽默台词对白。观感来说只有二代达西面对同事横刀夺爱时的绅士风度很有趣和可爱，其他没了，差评。
老式机器人保护主人不被大规模机器叛乱波及将其锁在家中……剧情发展过于荒诞。不过法国电影还是比美国的多了点哲学气息庄周梦蝶都搬出来了~不过搞笑段落还是少了些……
6.5分 2022.02.12 高色彩饱和度
二战历史性的一刻，一个计划背后的故事，可以看看。
法国片色彩真是绝了。另外还好我不是关在家里的时候看的，不然最后covid-50我可真要绝望了……
好喜欢这种色调类型的电影啊！虽然故事老套，看那个大白牙哈哈哈哈
哈哈哈哈大使作为间谍要付出太多了！！（尺度担当笑死了
三星到四星，未来智能机器人主宰着生活，脑洞很不错。
额，各种无聊不知所云的镜头，也许是我欣赏能力不够吧，硬着头皮扫完了。
过于工整，有失趣味，可是有视觉和听觉盛宴，还可勉为一看。
挺好玩的 四个机器人实在是太可爱了
本来应该紧张刺激的瞒天过海行动，大篇幅展现了两个痴汉追熟女，任务倒在其次了
把可飞行的高清摄像头当蚊子给拍了。笑点：她用镊子修眉毛结果扯出了一根线，高级跑车全速前进结果玻璃没撞开被一只狗给报废了，看起来最瘦弱的詹妮弗被控制了，结果一家人都阻止不了她的步伐。这个给自己套上被冻住的衣服，是用土办法对抗高科技吗？打败了机器人被告知新病毒来了玩个梗，最后，好好做个人吧。
平淡无奇，还不如纪录片有意思呢。看了好几天才草草看完。
人物空洞 剧情无聊 热内的东西还是适合有生命的 机器人不适用啊
冲着两代达西先生来的，结果这俩毫无火花……
剧本是不错的，各类人物登场时机、人物线等，感情戏稍显突兀
热内的电影必须四星起。
英国主旋律片，剧本一塌糊涂，三分不能再多了
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