Filming has begun for Us, BBC One’s four-part drama adapted by David Nicholls from his hugely popular novel of the same name.
Tom Hollander (Baptiste, The Night Manager) will be joined by Saskia Reeves (Luther, Shetland), Sofie Gråbøl (The Killing, Fortitude), Tom Taylor (Doctor Foster, The Dark Tower), Iain De Caestecker (Agents of S.H.I.E.L.D, The Fades) and Thaddea Graham (Curfew, The Letter for the King), with casting by Sarah Crowe. It is produced by Drama Republic and Bandstand Productions.
Douglas Petersen (Tom Hollander) is blindsided when his wife Connie (Saskia Reeves) tells him that she’s not sure she wants to be married to him anymore. Agreeing to still go on their planned family grand tour of Europe, Douglas vows to win back the love of his wife and repair his troubled relationship with their son Albie (Tom Taylor).
Reflecting David Nicholls' signature mix of humour and heartbreak, Us brings the Petersens' poignant and often hilarious story to life, taking viewers with them on their once-in-a-lifetime journey through some of the most beautiful cities in the world.
David Nicholls says: “It’s a huge thrill to see the novel come to life, and with such a wonderful cast and production team. We want to make something funny, touching and beautiful, to really explore marriage and family life, all against this incredible backdrop.”
Tom Hollander and Hannah Pescod say: “We are delighted to be working with Drama Republic and the great David Nicholls in bringing his beautiful novel to BBC One. The trials of the Petersens will strike a chord with many - a family tale for our times.”
Piers Wenger, Controller of BBC Drama, says: “We feel so honoured to be bringing David’s beautiful novel to BBC One and to have the brilliant Tom Hollander and Saskia Reeves playing the leading roles. We are thrilled to work with David and Drama Republic once again and also with Bandstand Productions on their debut drama for the BBC.”
Greg Brenman and Roanna Benn, Executive Producers for Drama Republic, say: “David Nicholls is a unique and rare talent who miraculously manages to intertwine profound emotion with full-on humour. This glorious adaptation has attracted an exceptional cast in Tom Hollander, Saskia Reeves and Sofie Gråbøl. We couldn’t be more excited to begin filming.”
Us is executive produced by Greg Brenman and Roanna Benn for Drama Republic, Tom Hollander and Hannah Pescod for Bandstand Productions, Jo McClellan for BBC One and David Nicholls. It is directed by Lisa Siwe (Temple, Modus) and distributed internationally by BBC Studios. Filming will take place in London, Amsterdam, Venice, Barcelona and Paris.
直至第一次死亡场景的部分是很优秀的，剩下的基本扯淡。
那麼
关于女性意识/形态，就感觉差了一口提神的气，是不是剧本没有打磨好还是本就是如此粗糙。《飞越疯人院》＋《第六感》＋《小姐》的容概版，其实就是将《小姐》的思想束缚换了个背景。对于宗教，对于上帝，对于西方鬼神之说。"有的人看见神明就是正常的，而我看见鬼魂就疯了。"可怕的不是看见鬼，而是惧怕鬼的人。一幕幕残忍的歇斯底里症治疗，一层层想要和解的鬼魂述说的纱窗，一件件华丽的衣服，一场最后高潮的舞会，就是一群疯女人的一生。有的人取悦男人沦为案板上的鱼肉，有的人因为残疾只能供男人泄欲，有的花枝招展只为疯狂一舞。疯女人的聚会，疯女人的宿命，疯女人的残忍与束缚，尽在最后的高潮里了。
所谓人性本恶。故事虽有些类似楚门的世界，也还算精彩。女主一张无辜脸，却可以做最离经叛道的事。
在缺乏同情心的年代，任何一点异己的行为都会被视为疯狂。
只不过相比于《后窗》强烈的悬疑惊悚感，这部《偷窥者》还披了一层“情色”的外衣。老司机们，快上车！
女主一开始就是馋了精致男的身子，哪知道局中局，套中套啊。女二演的不错，前期的单纯以及后期的蛇蝎，都很像。最后女主弄瞎的手法太“温和”了。这片子都这么黄了，更暴力点也是可以的。
看了五分钟就猜出来剧情套路了。除了一些美好的人体画面，基本上不值一看
其实这种片会看着很爽，满足了窥私欲，还有反转
自由是甜中带苦 风的滋味新鲜又带点咸 我们笑着 双脚悬空 我们跳舞 不停跳舞 我们是自由的 我们是坚强的 我们是永恒的
归咎于邻居的错
本哈迪帅的来，女主身材爆好，剧情什么的不重要。
依然是对演员的驾驭远胜于对摄影机的把控 通灵的变焦真的存在“幽灵”吗？护士和病人对峙的正反打又是否勾勒出女性之间或惶惑或坚定的“凝视”？抑或只是几组概念“文明—疯癫”“禁闭—自由”“规训—反抗”“神祉—鬼魅”的教条主义二元化编织？运动与情绪的普遍性匮乏之下 我们又该如何在当下重构这场只有裸露没有“身体”的舞会？
5.8(6⃣️)，对《后窗》的一次拙劣模仿，肥大冗长的偷窥纪实，节奏拖沓严重，还刻意地混杂一些吸引人眼球的情色段落。剧本逻辑上的漏洞很大，想要设立人性和欲望的背景板但手法太稚嫩了，尤其是强行的寓言故事reference显得非常可笑和尴尬。反转的确令人意想不到，但这也确实是维持剧情趣味的唯一途径了，复仇段落给影片的惊悚快感助力些许，却将剧情引向了更离奇的方向，很是牵强。诸位年轻演员试图一本正经地演绎婚后生活但始终呈现出一副游离在外的状态/ Sydney身材太好了，纯欲风的楚楚可怜小鹿妹妹
#TIFF21 第34场 压抑痛苦，梅拉尼真是掌握了我的痛点，若不是中午抢北影票能暂停喘口气，我是真没办法一口气看完这片的。
前面质感还可以，后面烂尾，女主颜值身材都不错
前面一个小时觉得女主好讨厌，后面的反转其实有点俗，但结局我还蛮喜欢的
“安排水疗。”
错误总是由微不足道的事情开头.农夫与驴教会你别贪得无厌.但上层人知道寓言故事只是用来束缚奴隶.好奇心好比du瘾.总能战胜道德观.以为自己是观鸟者.其实自己只是任人摆布的笼中鸟.
题材是好的，立意也是很好的，感觉就是功底还不够orz
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