Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Daï’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.
新增角色没亮点不突出
就中规中矩的哆啦A梦电影，我没啥感觉，小孩看得开心。
小夫大雄附体，打酱油出木衫，时刻不忘洗澡静香
8分。纯看故事很一般，看在情怀面上加几分吧。
愿哆啦A梦永远善良勇敢，愿我们永远天真热诚。
用现在流行的话就是，对小朋友来说太幼稚，对成年人来说刚刚好
跟老胡看的第二部蓝胖子。只能说，真的一年不如一年了。
前一个小时都看睡着了……但是5岁的小朋友很喜欢。天赐自由推翻独裁者，口号喊得响亮，但也就仅此而已。
今年四月，机器猫的“亲人”不二雄A去世。马督工评论，机器猫讲述的是二十世纪七十年代，那时的东京城市化还没有占据自然空间，旧时代的秩序被打破，新时代的秩序还没有渗透到小孩子中，他们可以享受无忧无虑的生活，与不同阶层的同伴聚在一起玩，共享从大人那里得来的新鲜消息，期待着科技改变未来。我们在十几年后，二十世纪九十年代，也经历了同样的城市化、工业化进程。所以说机器猫或者说哆啦A梦不仅是日本的经典文化，也是中国当代文化的一部分。
为什么我们越来越怀念以前的哆啦A梦剧场版？是因为我老了吗？还是曾经的画质和剧情让童年的自己记忆深刻。
最精彩的部分居然是胖虎“致敬”金刚。不至于除了情怀什么都没有吧...这可是哆啦A梦啊
虽然小时候看过很多次旧版，对剧情已经非常熟稔，但新版的改编还是有不少可圈可点之处，尤其是如今看电影里的故事又有了不少新的感悟，仿佛在看一个现实寓言。帕比的演讲很感人，天赐我们自由！
“哆啦A梦~”
影院的音响和效果不敢恭维，电影本身不做评论，跟孩子一起享受愉快的周末时光是最重要的。
中规中矩吧，我需要完全新作啊。开头错过了十分钟难过。
连续几年踩雷了，好失望。
说话说不清挺突兀的
一点怀旧、一点套路、一点正能量，可惜我已经是社会的老油条了，这些都不太能打动我了。
就中规中矩的哆啦A梦电影，我没啥感觉，小孩看得开心。
#带娃看电影 这个反独裁的剧情设定…只能说不太适合4岁小朋友…别的还是不多评论了…
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