"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
瞬间泪目了
虽然影片想从大环境下的平凡生活中找笑点，但是疫情隔离实在没啥好笑的
没有讲好先生和汐华两个人的羁绊之如何建立的
画面太美好多给一颗星，其实十分钟短篇已经足够
居家隔离，失去的是自由，但却绑紧了情感。
我喜欢，哈哈哈哈哈哈我真的喜欢，这个电影的视觉风格太有意思了
设定藏着掖着实际应该没啥，很多灵光一闪的地方。看起来不错
疫情拍成喜剧是件很难得的事吧，挺有趣但没怎么被戳中，除了又虐又温馨的结尾。莉莉最后还活着真是太好了！（不过也说不准是医生的幻觉…）
很混乱的影片，讨论疫情也不深刻，讨论人性也不真诚，结尾强行温情，男主和房东那么臭的老鼠屎也不臭了，再来个死亡套路式的升华一下主题，搞不懂这是在干什么
笑中带泪，好温馨的一部电影，喜欢，疫情反而拉进了邻里之间的距离
设定藏着掖着实际应该没啥，很多灵光一闪的地方。看起来不错
温情又幽默，感受到了法国人在疫情面前和国人的不同之处。捅鼻子那段也太酸爽了吧
小女孩与小男孩这对好可爱啊
隔离期间看的片，很多细节比较有共鸣，但不算有趣，总是让我睡着
治愈系！前半不错后劲不足，BGM很有虫师增田俊郎的风格
最后还挺感人，温情结局，请照顾好迪亚哥和小鼠鼠。
c19隔离下的众生下，真是把人逼疯了。真实而又诙谐的法式幽默
原来新冠也可以以这么轻松的角度来刻画～法国人的浪漫真是从小就天生的……
在回家前被强制隔离的第17天看这部电影感触格外深，回想起了过去两年多在波哥大的生活，疫情初期每晚市民在自家阳台上敲锅鼓掌的喧嚣，药店商店一售而空的口罩和消毒液，全国日新增病例突破3万、ICU占用率饱和的新闻，无穷无尽的Zoom、Teams会议......看到很多片段都感觉是自己和朋友们的生活再现，影片温馨诙谐的主基调中夹杂着心酸和无奈，结尾还不忘煽情，“要是我们同一天出生就更好了，那样我们会同一天去世，大家都不会难过”，瞬间被戳中泪点。
生肉没太看明白。但互相是在这个孤独的世界上的光的感觉，真不错啊
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