The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
镜头好看就行,打斗不激烈,剧情不精炼,对话不简洁都完全可以忽略!
Wednesday’s Child 中间这歌还行
塔莉娅妹子清冷的气质更适合北欧文艺片,在美式青春小甜片里显得格格不入,虽然还是很美。
要不是那个匪夷所思的结尾,我觉得最起码三星
劇情差到仿佛一個山寨蹭ip圈錢之作,各種難看又吵
神奇的是,暂停播放处正好是最棒的部分,后面的剧情是一场灾难。为什么有这么多黑人出现在西部片里,就像,甘肃人出海打鱼那种感觉。
black cowboy,黑人族群的自我颅内高潮,这片男主能提上奥斯卡有点过了
除了几次打架和片尾彩蛋,其他真是没眼看,什么乱七八糟的
从前半段的五星铺陈,到中段直降3星的剧情智商,再到决战的4星集大成,终局的小反转并没卵用——however,尼哥style的西部片算是成型了,以后可谓能独开一路。确实音乐部分满分,简直是前几年Kendrick Lamar的音乐创作思路整个延展到影视,又或者说是《汉密尔顿》舞台剧音乐的film化,but,还是略微微没hold住,主要是中间段,装逼有点过了。总之,也算是没白期待这么久。
【和K观影】set design有点失真,其他都很entertaining
音乐很棒,演员发挥稳定,动作戏无功无过,就是西部片全是黑人真的有点违和。
真的很无聊一片,疯狂让毒液和艾迪打情骂俏增加些许可看度
Wednesday’s Child 中间这歌还行
从前半段的五星铺陈,到中段直降3星的剧情智商,再到决战的4星集大成,终局的小反转并没卵用——however,尼哥style的西部片算是成型了,以后可谓能独开一路。确实音乐部分满分,简直是前几年Kendrick Lamar的音乐创作思路整个延展到影视,又或者说是《汉密尔顿》舞台剧音乐的film化,but,还是略微微没hold住,主要是中间段,装逼有点过了。总之,也算是没白期待这么久。
扯淡的西部歌舞片,歌倒是都很好听。Cherokee Bill作为反派倒是让人十分喜爱
夫妻吵架没有隔夜仇,
内容精炼
神奇的是,暂停播放处正好是最棒的部分,后面的剧情是一场灾难。为什么有这么多黑人出现在西部片里,就像,甘肃人出海打鱼那种感觉。
挺欢乐的一个片,歌都很好听,色彩鲜明,剧情不用在意,打了就是爽了
为了女主来的,真漂亮,演技过得去,故事稍显无聊
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