剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 雪玥 3小时前 :

    每年都会看熊出没,每次看都会想起去世的张召先生对中国电影的展望。今年的视效不错,有那么些意思了。

  • 辰喆 8小时前 :

    反派铁扇公主很美艳。

  • 辰权 1小时前 :

    你们这些打一、二星的臭大人们,哼!明明很好看的呀!你们好蠢好坏哦!!这是给我们的礼物,我们很喜欢诶!!

  • 梓然 0小时前 :

    22贺岁动画霸屏,熊出没又出新招,有人热捧漫威电影,有人批评热潮烂剧情,鄙人对这部《重返地球》不甚喜欢,每年的温情与感动少了不少,炫技致敬过于新潮,熊二为雄前作已有,其他角色电影存在几乎没有。每年动画电影“熊出没”如期贺岁,今年反而失望透顶,希望不要过分消费这个经典IP,内容为上打磨剧情才是对观众最好的贺岁。

  • 香阳波 4小时前 :

    这不是我认识的熊出没 这是 超能陆战队、钢铁侠、星球大战、环太平洋、天空之城

  • 窦宜欣 8小时前 :

    讲真,值得票价,但人物形象设计等抄袭痕迹还是很明显的。

  • 薄念巧 4小时前 :

    过年陪女儿看的卡通片,成功睡着🤗不过剧情还不错

  • 烁骞 0小时前 :

    光头强近乎沦为配角是我没想到的,整部电影都在塑造熊二,其他人物都被边缘化了。

  • 杭梦桃 6小时前 :

    就……还行吧…………剧情没啥意思,忍不住总想看手机

  • 涵美 6小时前 :

    给孩子看的就不要拍成3D,孩子评分一颗星,我给你加一颗。

  • 零炫明 8小时前 :

    三星半。画面挺好看,大场面特效都不错,3D效果时好时坏(也可能是影院的原因),剧情实在是太粗糙了。。。

  • 昭雪 7小时前 :

    和韩寒的四海一样,和春节档都是最值票价的电影。花一部电影票的钱,你可以看23部漫威宇宙电影+蜘蛛侠+星际迷航+扎克·施奈德+环太平洋。九年前,我感叹什么时候国产可以做出《环太平洋》这种工业级大片。九年后,我在大银幕上见证了。

  • 隐可可 7小时前 :

    不断致敬《蜘蛛侠》和漫威其他造型,总的来说是个好结局吧

  • 第五傲安 9小时前 :

    孩子们看的很欢乐!我是睡着了。加入了环保新区也算有教育意义吧!

  • 桂梦易 2小时前 :

    在汽车影院体验的,电影本事剧情不吸引人…一直感觉熊出没不适合孩子看了,开场就把娃吓跑了…

  • 锦明 3小时前 :

    而且这部大电影无论从情节啊脑洞啊什么的来说,也挺适合大朋友的,甚至可以说预定今年最优秀科幻片了!完全不输狗漫威那种!

  • 郯曼安 7小时前 :

    我都这么大了,对于这一伙人还是那么喜欢,尽管有低俗的笑点,意料之中的结局,普通的人设,我还是那么感动。(熊出没都走科幻路了,时代真的变了)

  • 赖志行 4小时前 :

    看得第一部熊出没电影,TV版以前也没看过,但是熊大,熊二,光头强在现实中我都有对应的朋友,他们说长得像我没看过所以一直不知道,只是跟着叫,这回在电影院看到了,好家伙,真的好像啊哈哈哈哈。

  • 达柔静 9小时前 :

    说实话,真不错。

  • 青香蝶 6小时前 :

    希望还是不要被稳定票房冲昏了头脑。

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